Palgongsan Mountain (1,192m in elevation), in the outlying reaches of the Taebaek Range, stands sentinel over the spot where the Nakdonggang River and Geumhogang River converge. In the past, Palgongsan Mountain was regarded as a sacred mountain because it resembles the shape of the Three Buddhas. This mountain has magnificent granite formations at higher elevations, and the beautiful valleys, seamlessly interwoven with rock formations and thick forests, make for a spectacular view. Palgongsan Mountain borders Gyeongsan, Yeongcheon, Gunwi-gun and Chilgok-gun in the north and surrounds Daegu metropolitan city in the south. With Birobong Peak in the middle, it extends to Dongbong Peak – Gwanbong Peak (Gatbawi Stone Buddha) in the east and Seobong Peak – Gasan Fortress in the west (20km long). It also offers many beautiful trails. Located to the north of Gyeongsan City, Palgongsan Mountain has a splendid history, as many ancient temples and historical sites such as the Gatbawi Stone Buddha, Wonhyosa Temple, Cheonseongsa Temple and Bulguksa Temple are found on this mountain.  

Maaekseobulsang (Rock-carved Standing Buddha in Icheon-dong, Andong) is a huge statue. This Buddhist image’s head stands 2.43 meters tall, while the entire statue stretches 12.38 meters high. These days, Jebiwan Temple has been built near the statue, so it has been dubbed “Jebiwan Seokbul.”The body of the large stone Buddha face has been carved into the rock. The statue is in the style of Koryeo (AD 918-1392) Dynasty, with distinctive contouring. This unique style is indicative of those prevalent during the 11th Century. 

Unravel Korea's Rich Textile Legacy at the Donggwang Textile Cultural Center! Step back in time and delve into South Korea's textile tapestry right in the heart of Incheon's Ganghwa Island. From its heyday in the swinging '60s and '70s, the Donggwang Textile Factory was a cornerstone of the Korean textile boom. Today, after a spectacular makeover, it's a shining example of urban revival and a testament to Korea's industrious spirit.       Take a Walk Down Memory Lane! Established and broadened in 1963 by the visionary Yun Mansik, Donggwang Textile was the talk of the town, leading the Korean textile movement with a workforce of over two hundred passionate professionals. But as the saying goes, every silver lining has a cloud. As the industry shifted gears, this iconic landmark fell silent. Yet, thanks to a whopping 3.2 billion KRW boost from the Ganghwa local government, this phoenix has risen once more. Now, it's a treasure trove of attractions: from vintage textile machinery showcases and high-tech viewing rooms to quaint book nooks and multifunctional event spaces. A Blast from the Past Meets the Present! Entering the Donggwang Textile Cultural Center is like flipping open a vibrant scrapbook of Korea's textile legacy. Situated alongside the likes of Joyang Bangjik Cafe and Ganghwa Sochang Experience Center, this hub is a melting pot of Korea's textile milestones. No wonder it's lighting up Instagram feeds and topping travel bucket lists left and right.       Dive into Yesterday, Today! With no admission fee, it's a no-brainer for anyone looking to soak up some culture. Just a heads-up: they hit the pause button every Monday to keep things spick and span for your next cultural deep dive. If South Korea is on your radar, pencil in a pitstop at Ganghwa Island and the illustrious Donggwang Textile Cultural Center. Immerse yourself in Korea's textured past, engage in unique experiences, and craft tales that you'll reminisce about for years to come. #TextilesOfKorea #HiddenGemsOfGanghwa #KoreaBound Join the narrative of Korea's rich fabric. Catch you on Ganghwado Island!

Situated at the southernmost part of the Korean peninsula, Ttangkkeut Songho Beach is the most representative beach in Haeum, featuring dense old pine trees, fine sand, and shallow water perfect for a family vacation spot. Hundreds of pine trees create a scenic forest almost 1km long along the levee which provides a suitable camping site under the forest. Ttangkkeut-gil walking path connects the front of an auto camping site at Songho Beach to Galsan Village and Ttangkkeut Top. The Windbreak pine tree forest in Songho-ri, Haenam is designated as Jeollanam-do’s Monument No. 142, including around 600 pine trees aged 200 years and playing a role in the coastal shelterbelt.

The Astro Camp was established to encourage young children to take an interest in space and natural science and to develop creative problem-solving skills. To this end, the Children’s Observatory provides a wide range of educational programs developed by expert educators from diverse fields of majors at Yonsei University.In the future, the observatory hopes to continue to expand its experience-centered, in-depth educational programs to help children reach a better understanding of astronomy and natural science principles. Programs focus not only on providing children with accurate information, but also seek to encourage participants to be self-motivated thinkers.

Yeongsangang River (136 kilometers) is one of the four major rivers in Korea. It is the shortest of the four rivers (Hangang River 482 kilometers, Nakdonggang River 522 kilometers, Geumgang River 396 kilometers). The river starts from Yongchubong Peak (560m) located in Yong-myeon in Damyang Country, South Jeolla Province. It runs through Damyang, Gwangju, Naju, and Yeongam and eventually flows into the Yellow Sea at Mokpo through the estuary bank. The river also faces some environmental challenges and extreme weather events have caused flooding that lead to ecosystem loss and habitat degradation. In December 1981, a dam was built and the damage was significantly reduced. The government has also introduced the Four Major Rivers Restoration Project in 2009 with the objective of restoring the rivers while achieving regional development. Under this project, a significant amount of budget was allocated for resolving problems plaguing the Yeongsangang River.

The name “Clayarch” is a compound word of clay and “arch”, which is an abbreviation of “architecture”. It embodies the basic spirit of the museum, which is to pursue development in the field of architectural ceramics through working with science, art, education, and industry. Clayarch Gimhae Museum aims to play a leading role in the development of architectural ceramics, which are now spreading across the globe. It intends to do so by rediscovering the relationship between ceramics and architecture – a matter that has been relatively ignored – as a new direction for ceramic art. This reflects the pluralism of this time, which seeks to pursue something creative and new and to overcome the limitations of specific fields through working with different genres. The museum seeks to actively lead this artistic attempt, and make aesthetic and scientific achievements in this field with theoretical backing gained through academic activities, lectures, and research.  

Anseong Machum Museum is a theme museum showcasing the rich cultural assets of Anseong, which have evolved around a type of brassware called Yugi. Located at the entrance of Chung-ang University’s Anseong Campus, the museum has a brassware exhibition hall, theater, planned exhibition hall, agricultural history exhibition hall, local relics exhibition hall, seminar room, and research room. The brassware exhibition hall displays information on the history, production, and use of brassware. The agricultural history exhibition hall exhibits the history of agriculture and special products of Anseong, providing the chance to see how the agriculture of Anseong has evolved over time. The local relics exhibition hall displays the culture and history of Anseong. On display are photos of Anseong, demonstrations of a historical street market, Anseong Namsadang troupe items, and Buddhist cultural assets.

Located on Mt. Adongsan next to Namcheongang River in Miryang, Yeongnamnu (National Treasure No. 147) is one of three great pavilions of Korea together with Chokseoknu Pavilion of Jinju and Bubyeoknu Pavillion of Pyeongyang.A two-story-pavilion with a hip-and-gable roof was constructed on this same site during the Silla period, as part of Yeongnamsa Temple, which was one of the five great temples at that time. The pavilion was torn down and re-constructed during the rule of King Gongmin of the Goryeo Dynasty. The current structure was built in 1884 according to the design of the then-magistrate Yi In-jae.The pavilion area consists of Neungpagak, Chimryugak, Sajumum Gate, Iljumun Gate and Cheonjingung. Stone-carved calligraphy from the Joseon Period abounds in the pavilion complex, drawing many visitors.