The Global Village Folk Museum is a public museum housed in and affiliated with the Seoul Education Research & Information Institute. The museum displays relics from various countries, helping visitors and locals broaden their horizons by learning about folk cultures from around the world. Approximately 1,500 items are on display at the museum: 922 from Asia, 228 from Europe, 162 from the Americas, 121 from Africa, and 64 from Oceania. When categorized according to theme, 512 items are related to folk art, 74 are related to folk religion, 625 are folk life, 86 are fire starters, 37 are weapons, and the remainder fall into smaller groups. The museum has been designated an “Experience-oriented Education Zone” of Seoul.

Mallipo Beach (만리포해수욕장) is located at the tip of National Road #32, which traverses Taean-gun. As one of the Eight Scenic Views of Taean, it has a beautiful landscape. This beach is part of Taean Coast National Marine Park (태안해안국립공원).Thanks to its shallow waters, wide sandy beaches and modern facilities, Mallipo Beach is a great tourist destination. Swimming, fishing, camping out in a pine grove and various marine sports can all be enjoyed here.A variety of fresh seafood such as gaenggaemi muchim, grilled eel and grilled king prawn is available on Mallipo Beach. Visitors can also tour the other Eight Scenic Views of Taean including Halmi-Harabi Rock, Anmyeon Pine Forest (안면송림), Sindu Dune (신두사구), Anheungseong Fortress and Gauido Island.

Uamsajeok Park is widely known as the ancient meditation site of the renowned Confucian scholar, “Uam (pen name) Song Si-yeol” (1607-1689). As such, it houses several buildings used by and dedicated to the scholar, including: Namganjeongsa (academy of Uam Song Si-yeol), Gigukjeong Pavilion, and Songjadaejeonpan (a collection of the written works of Uam Song Si-yeol).

On the tourist trail near the foot of Tohamsan Mountain between Bulguksa Temple and Bomun Lake Resort are as many as 45 traditional tile-roofed and thatched houses. The folk craft village, which stands on a lot measuring 66,116m² (20,000 pyeong), is home to craftsmen and artisans who have successfully preserved the spirit and craftsmanship of their ancestors. Visitors may receive a free tour of 18 different galleries and workshops including metal, ceramics, wood crafts, jewelry, stone crafts, embroidery and earthware crafts. Artwork and crafts created by local artists are for sale at reasonable prices.

Cheonan-Asan Station began its operation along with the opening of KTX railway. Its location overlaps the admistrative district of both Cheonan city and Asan city, hence the name.

The Royal Tomb of Queen Heo in Gusan-dong, Gimhae is the final resting place of Queen Heo, the wife of King Kim Suro, the founder of Garak. The tomb dates all the way back to the Gaya Era and has been officially designated National Historic Site No. 74. Unlike many other ancient tombs located on Korea’s flatlands, the large earthen mound sits high upon a hill. Reinforced in the front with stone and surrounded by a low stone fence, the tomb is marked with a headstone and stone tablets erected in 1647 (25th year of King Injo’s reign). Some of the stone used at the tomb is said to have come all the way from India. Together with the Tomb of King Suro, the tomb area was expanded in the 28th year of King Sejong’s reign (1446) to include several auxiliary buildings: Sungboje, Oesammun, Naesammun, and Hongsalmun. Records indicate that the tombs were robbed over a century later during the Imjin War (Japanese Invasion, 1592-1598).

Mungyeong is known for its exquisite ceramics. While each piece has its own individual shape and design, as a whole, ceramics of Mungyeong are highly regarded because of their historical and cultural value. Mungyeong is home to a number of master craftsmen as well as Sagijang (referring to craftsmen making chinaware), who have been officially designated Intangible Cultural Property by the Korean government. As a renowned kiln site producing Buncheongsagi (grayish-blue celadon) since the early Joseon Period, Mungyeong still offers outstanding ceramics that reflect the essence of traditional craftsmanship. 

Ppuri (Family Root) Park, located between Bomunsan Mt. and Banghwasan Mt. in Chimsan-dong, Jung-gu, Daejeon-si, is a park created under the theme of filial piety, one of the overriding values of Korean society. Opened on November 1, 1997, the park occupies a plot of land measuring 109,091 m² and is filled with unique sculptures and art pieces that remind visitors of their family ties. The sculptures at the park hold a special meaning for Koreans, as each of the 136 sculptures represents each of the different last names of Korea. On the front of each sculpture is the history of the family (name) and on the back is a description of the sculpture itself and other relevant information.Other main points of interest at Ppuri Park include the Deep-rooted Spring (symbolizing the 12 jisin/12 gods of the earth), waterfront stage, grass square, traffic safety education center, recreational forest, and natural observatory. Another must-visit attraction is the Samnam Memorial Tower, which represents the harmony and cooperation between the Honam (western region) and Yeongnam (eastern region) of Korea.

Lee Hyo-seok Culture Village is the setting of the beautiful Korean story “When Buckwheat Flowers Bloom,” and also home to the author, Lee Hyo-seok (pen name Gasan). Registered as National Culture Village No. 1 in 1990 by the Ministry of Culture and Tourism, the village is the setting of the annual Hyoseok Cultural Festival in autumn. The village is made up of the birthplace of Lee Hyo-seok, a watermill house, thatch-roofed housing, Gasan Park, Lee Hyo-seok Memorial Hall, and restaurants serving food made with buckwheat. The birthplace of Lee Hyo-seok was originally a thatched-roof house, typical of the housing in Gangwon-do. However, it has been rebuilt into an ‘L’-shaped house with two large trees growing in the front yard. Lee was born on February 23, 1907, one of five children to parents Lee Si-hoo and Kang Hong-kyung. Lee Hyo-seok’s wife, Lee Kyung-won was an aspiring artist. The couple had two sons and two daughters, but the second son passed away in 1940, just two years before his father, Lee Hyo-seok.