Sambong Beach is located to the south of the bridge that connects Nammyeong and Anmyeon-eup. The beach stretches 3 km long and has a x_width of 120m. The beach gently slopes down at a 2° angle and has an average water depth of 1.5m and temperature of 22°C. The beach is easily accessible to many visitors because of the convenient transportation during the summer. The three Sambong Rocks, the Haedanghwa flower (plena) and the rich pine forests are just a few of the beautiful and magnificent features of this beach. The name Sambong, is derived from the three rocks, however four rocks can be seen from the north facing southward while only three are visible from the south. The sand dune created by natural phenomena is a must see here. 

The 19km-long Bugak Skyway runs along the northeast ridge of Bugaksan Mountain. Opened in September 1968, the road quickly became known as one of Korea’s most scenic driving routes. The road offers lovely views of Bukhansan Mountain’s Bibong Peak and Munsubong Peak on one side and Namsan Mountain on the other side. Trees line the roadside and different flowers bloom per season. The skyway leads to an octagonal pavilion at the top called Palgakjeong, where visitors can get a panoramic view of the city, take photos, and have a meal or coffee while enjoying the scenery. There’s also a parking lot that can accommodate up to 130 cars. http://bukak-palgakjeong.tistory.com

Namsa Yedamchon, along with Hahoe Village in Andong, is the representative ancient Hanok (Korean traditional house) village in Korea. Located at the foothills of Nigusan Mountain, tucked into a bend of the crystal clear Sasucheon Stream, the village looks like it came right out of a dream. Although no one knows the exact date the town was first founded, it is assumed that the town was created before the Goryeo Dynasty since one of the queens of the Goryeo Era was believed to have been born here. Inside the village by the ancient house of the Ha family clan, there used to be a 670-year old apricot that was well known by nature and apricot flower enthusiasts everywhere. Unfortunately, the tree died a few years ago and a seedling from the original tree is growing in its place. Although historical records verify that the house was built in 1377, the house was burnt down during the Donghak Peasant Revolution and has since been restored. The Ha family clan’s house, though famous, is only one of the numerous traditional houses in the village. The oldest house in the village is the ancient house of the Yi family clan that was built sometime in the 1700s. The house is famous for the 300-year-old trees that stand on the road leading up to the house. The two trees cross trunks to form the letter “X,” and are so unusual that many photographers come here just to take pictures of them. Namsa Yedamchon in Korean means ‘lovely walls village’ in Korean and is exactly the right name for this beautiful town. Stone walls measuring 5.7km long line the road from the village’s entrance and the 3.2km-long traditional stone wall in another part of town was even designated a Cultural Heritage in 2006. In Namsa Yedamchon Village, tourists can not only visit and stay in traditional houses, but can also participate in a variety of hands-on programs. At the end of a long day of touring visitors can even use the nearby charcoal sauna that uses charcoal made from the oak woods of Jirisan Mountain. * Famers’ life experience – Traditional Water Mill Experience, ‘Honeybee Keeping’, ‘One-day Famers’ Life Experience * Traditional game-playing – Samgot, Nori, and Pungmul (folk music) performances & campfire * Educational Programs- Ancient houses, cultural heritages, Sancheong’s Eight Scenic Views, ‘Seodang (Traditional Schoolhouse) Experience’, natural dyeing with Pagoda Trees

Iksan Station began operation on January 1, 1915, but was then known as Iri Station. After the station was completely destroyed by an accidental explosion on November 11, 1977, it was rebuilt and resumed service in 1978 and changed its name to Iksan Station in 1995.

The Astro Camp was established to encourage young children to take an interest in space and natural science and to develop creative problem-solving skills. To this end, the Children’s Observatory provides a wide range of educational programs developed by expert educators from diverse fields of majors at Yonsei University.In the future, the observatory hopes to continue to expand its experience-centered, in-depth educational programs to help children reach a better understanding of astronomy and natural science principles. Programs focus not only on providing children with accurate information, but also seek to encourage participants to be self-motivated thinkers.

Designated as a biodiversity conservation area by the UNESCO, Jeungdo Island in Sinan-gun, Jeollanam-do has become popular. Taepyeong Yeomsaeng Botanical Garden is located next to one of the largest solar-evaporation salt fields, and spans over an area of 110,000㎡. Over 70 species of various salt plant colonies grow at the natural mud flat including glasswort, sea-blite, East Asian seepweed, and Herbaceous seepweed to create a splendid scene. Also, one can easily see Tti (a plant) which can not grow in polluted places. Walking along the 220m-long walking path, diverse mud flat creatures like mudskipper, chilge (crab), bangge (crab) and gastropods can be met with close sight.

Ujeon Beach stretches 4 km in length on the southwestern coast of the island of Jeungdo-myeon, the biggest natural salt producer in Korea. The silvery white sand as well as the view of the sealine dotted with over 90 deserted islands make Ujeon Beach one of the most attractive seaside destinations. Visitors to Jeungdo Island can explore the sites of salt production and Haetae (a type of seaweed) farming, or go fising at nearby islands, including Naegaldo and Oegaldo Island, Myeongdeokseom Island, Daeseom Island, Bunamdo Island and Myeongseom Island.

Anseong Machum Museum is a theme museum showcasing the rich cultural assets of Anseong, which have evolved around a type of brassware called Yugi. Located at the entrance of Chung-ang University’s Anseong Campus, the museum has a brassware exhibition hall, theater, planned exhibition hall, agricultural history exhibition hall, local relics exhibition hall, seminar room, and research room. The brassware exhibition hall displays information on the history, production, and use of brassware. The agricultural history exhibition hall exhibits the history of agriculture and special products of Anseong, providing the chance to see how the agriculture of Anseong has evolved over time. The local relics exhibition hall displays the culture and history of Anseong. On display are photos of Anseong, demonstrations of a historical street market, Anseong Namsadang troupe items, and Buddhist cultural assets.

Situated at the southernmost part of the Korean peninsula, Ttangkkeut Songho Beach is the most representative beach in Haeum, featuring dense old pine trees, fine sand, and shallow water perfect for a family vacation spot. Hundreds of pine trees create a scenic forest almost 1km long along the levee which provides a suitable camping site under the forest. Ttangkkeut-gil walking path connects the front of an auto camping site at Songho Beach to Galsan Village and Ttangkkeut Top. The Windbreak pine tree forest in Songho-ri, Haenam is designated as Jeollanam-do’s Monument No. 142, including around 600 pine trees aged 200 years and playing a role in the coastal shelterbelt.

The name “Clayarch” is a compound word of clay and “arch”, which is an abbreviation of “architecture”. It embodies the basic spirit of the museum, which is to pursue development in the field of architectural ceramics through working with science, art, education, and industry. Clayarch Gimhae Museum aims to play a leading role in the development of architectural ceramics, which are now spreading across the globe. It intends to do so by rediscovering the relationship between ceramics and architecture – a matter that has been relatively ignored – as a new direction for ceramic art. This reflects the pluralism of this time, which seeks to pursue something creative and new and to overcome the limitations of specific fields through working with different genres. The museum seeks to actively lead this artistic attempt, and make aesthetic and scientific achievements in this field with theoretical backing gained through academic activities, lectures, and research.