Ungno Lee Museum of Art is the neat little white building surrounded by pine trees, located next to the Daejeon Museum of Art. The museum was designed by French architect Laurent Beaudouin, to commemorate the life and work of the artist Goam Ungno Lee (1904-1989), who devoted his whole life to the modernization and globalization of Korean tradition through architecture. The 4 halls in the museum give the feeling of all flowing together into one continual, unified space. The building pays homage to Lee’s life and works, dating from his early ventures to his final days.Just as Goam’s work epitomized the harmony between East and West, it is very interesting to note that the architecture of the museum reflects the combined efforts of Ungno Lee, the Korean artist, and Laurent Beaudouin, the French architect. In March 2010, ‘Sudeoksa Temple Museum of Art,’ the first Buddhism Museum of Art opened in Sudeoksa Temple in Yesan, also showcasing the life and work of Goam. 

Construction on Gukchaebosang Memorial Park (located in Dongin-dong, Jung-gu District) began in March 1998 and was completed in December 1999. The park was established to retain the spirit of the National Debt Remuneration Movement (a national movement that originated in Daegu in 1907) and to help overcome the debt crisis of 1997. Of course, the park was also created in order to expand green space in the downtown area and offer a place of rest and relaxation to the general public.Spanning 42,500 square meters in size, the park boasts the Dalgubeol Grand Bell, a bell pavilion, walking trails, and other amenities. The famous Dalgubeol Grand Bell was installed on the park grounds in December 1998 as a representation of harmony and prosperity and to symbolically awaken the people with its pure and clear ringing.The park has an ample parking lot (3 underground floors) and is frequented by students who study at the Central Library located within the park. Gukchaebosang Memorial Park is also a popular date destination because of its proximity to the Daegu downtown area. As one of the most recently established parks in Daegu, the park boasts thousands of trees, a large grass plaza, and plenty of benches and resting areas. The beautiful fountains, pavilion, and stone artworks add to the charms of the park. The park hosts diverse cultural events such as music concerts and exhibitions and draws many visitors each Saturday and Sunday for the ceremonial ringing of the Dalgubeol Grand Bell.

Located in Dongsung-dong, Daehakro (College Street), The Lock Museum displays an impressive array of locks. The owner of the museum, Mr. Choi Hong-gyu worked as a hardware shop employee most of his life and ran his own store, Choi Family Hardware in Gangnam. He invested all of his fortune to make The Lock Museum. Opened in November 2003, The Lock Museum boasts locks, keys, and key holders from around the world. The museum aims to collect, preserve, and study Korean locks and to promote their benefits and design worldwide.The Lock Museum is an important spot in which visitors are exposed to new perspectives on locks. It offers visitors the opportunity to understand the cultural and aesthetic meaning of them. Centered on visitors, the museum will continue to be a facilitator of cultural communication between visitors and locks. 

Hongneung Arboretum is a first generation arboretum in Korea. It was established in 1922 when experimental forests were built on Hongneung burial mound, which is the royal tomb of Queen Myeong-Seong. On the 780 square meters area southwest of Mt. Cheonjangsang, there are 9 gardens such as a garden of conifers, a garden of broadleaf trees and an ornamental garden, 3 botanical gardens with edible & medicinal plants garden, an aquatic garden and a wetland garden. There are 6 resting places as well.Hongneung Arboretum has beautiful scenery for every season. The garden of broadleaf trees behind the main building is the one that shows the change of season most dramatically. The hundreds of broadleaf trees appear their best in autumn. The arboretum is good for nature education walk because of the many nameplates offering information on the species and characteristics of each tree. There are also many things to see at the Forest Science Exhibition Hall which provides visitors with knowledge and information of the value of forests, forestry, and the forest industry. The building itself is an exhibition because the hall is made of Korean wood. Inside, there are three general exhibition rooms, a regular exhibit hall, a planning exhibit hall, and a special exhibit hall.You may look around from Garden 1 to Garden 9 in regular order or take the course from Garden 2, pass the Forest Science Exhibition Hall to the mountain ridge ending at Garden 1. Note that it takes approximately 3 hours to see everything, whichever course you may take.

Bulguksa Temple is the representative relic of Gyeongju and was designated as a World Cultural Asset by UNESCO in 1995. The beauty of the temple itself and the artistic touch of the stone relics are known throughout the world.Bulguksa Temple was built in 528 during the Silla Kingdom, in the 15th year of King Beop-Heung's reign (514-540). The temple was originally called ‘Hwaeom Bulguksa Temple’ or ‘Beopryusa Temple’ and was rebuilt by Kim Dae-Seong (700-774), who started rebuilding the temple in 751 during the reign of King Gyeong-Deok (r. 742-765) and completed it in 774 during the reign of King Hye-Gong (r. 765-780). Upon completion, the temple’s name was changed to Bulguksa.Bulguksa Temple underwent numerous renovations from the Goryeo Dynasty (918-1392) to the Joseon Dynasty (1392-1910), but was burned down during the Imjin War (Japanese Invasions, 1592-1598).Reconstruction started again in 1604 during the 37th year of King Seon-jo’s reign (Joseon Dynasty) and was renovated about 40 times until 1805 (during the reign of King Sun-Jo, 1790-1834). After this time, the temple suffered serious damage and was often the target of robbers.In 1969, the Bulguksa Temple Restoration Committee was formed and in 1973, Mulseoljeon, Gwaneumjeon, Birojeon, Gyeongru, and Hoerang (all of which had previously been demolished) were rebuilt. Other old or broken sites (such as Daeungjeon, Geungnakjeon, Beomyeongnu and Jahamun) were repaired.Even today, Bulguksa Temple is home to many important cultural relics such as Dabotap Pagoda (National Treasure No. 20), Seokgatap Pagoda (National Treasure No. 21) Yeonhwa-gyo & Chilbo-gyo Bridges (National Treasure No. 22), Cheongun-gyo & Baegun-gyo Bridges (National Treasure No. 23), the Golden Seated Vairocana Buddhist Figure (National Treasure No. 26), the Golden Seated Amita Figure (National Treasure No. 27), and Saritap Pagoda (Treasure No. 61).

Cheonjeyeon Falls (천제연폭포), named 'The pond of God', consists of 3 sections. Around the falls, a variety of plant life thrives, such as the rare ‘solipnan’ reeds. To the east, there is a cave where cold water pours from the ceiling to create a waterfall.The water from the first waterfall divides into the second and third waterfalls, which then flow into the sea. In Cheonjeyeon Valley, visitors can see “Seonimgyo Bridge” (arch bridge with 7 nymphs carved on the side) and the octagonal “Cheonjeru tower”. Seonimgyo Bridge is also called “Chilseonyeogyo”(meaning "seven nymphs bridge") and it connects Cheonjeyeon with the Jungmum Tourist Complex.On the surface of Cheonjeru Tower, there is a painting that tells Cheonjeyeon’s legend of the nymph and mountain god. In May of every even-numbered year, the Chilseonyeo Festival is held here.

Gwangju World Cup Stadium is a major symbol of Gwangju. Designed to reflect the notion of ‘spreading far and wide’ the exterior is shaped like spokes of a wheel. When lit up, the stadium looks like a glowing dome. The ceiling and large ‘Y’-shaped pillars resemble a ‘Go,’ an instrument used in a traditional game from Gwangju, Gossaumnori. It is with design touches such as these that architects of the stadium have sought to capture and reflect traditional aspects of the Gwangju area.

KOTREX (KOTRA Exhibition Center, Daejeon) was first opened on May 19, 1995. Measuring an impressive area of 29,195 square meters and a total exhibition floor space of 4,200 square meters, the center consists of an indoor exhibition space (capacity: 5,000), 2 outdoor exhibition spaces, a large meeting room, and a parking lot with space for up to 500 cars.KOTREX is located in a prime location and can be reached within two hours from anywhere in the nation. Equipped with ultra high-speed optical network facilities for IT-related gatherings, the center is an ideal spot for a variety of events. Since it opened, KOTREX has hosted exhibitions and business meetings for the Daejeon Municipal Government, the Daejeon Government Buildings Management Services, and the Daedeok Research Complex, and has hosted numerous seminars and concerts.

E-World (formerly Wooband Tower Land) is a theme park built around Woobang Tower (Oct. 1987). The area around the tower was remodeled as a European-style park and opened to the public in March 1995. It features a waterfall, fountains, lighting displays, and flowers, as well as rides, exhibition and performance halls, and restaurants. E-World has several plazas characterized by different themes; major plazas include Entry Plaza (at the park entrance), Central Plaza, Children’s Plaza (playground), and Young Town Plaza.

Paik Nam-june explained: ‘Marcel Duchamp achieved everything in every field except for video art. He created a large entrance and an extremely small exit. The small exit is video art. When we take the exit, we are out of the scope of influence of Marcel Duchamp.’ The NJP Art Center is a creative space, wherein it is possible to practice the ‘mediation of endless potential unfolded outside the exit of Duchamp’. As a space of ‘introspective anarchy of infinite light and life’, the NJP Art Center aims to become a venue for the ‘escape from enlightenment’, going beyond enlightenment. Paik Nam-june, who was well versed in aesthetics and music, rather than the figurative arts, discovered a new ‘exit’ by combining electronic music and happenings. He didn’t regard video and television, with their great disseminative power, or communication networks, as a means for communicating messages, but as an explosion of time, instead creating a space for mandala-based televisuals, and for participation by the public where ‘consilience’ among heterogeneous fields can take place.Inheriting the spiritual legacies of Paik Nam-june, the NJP Art Center will expand the possibilities of creating new media for information and communication in the information age, and create a new space for cultural participation from aesthetic, ethical, and political perspectives. The center aims at expanding effective, creative consumption by encouraging reflections on the aspects of human existence that are still involuntary and lack freedom. The center aspires to become a space for cultural mediation that expands the space of freedom’s activities throughout the globe.