Jindo Island is the third largest island in Korea, next to Jejudo and Geojedo Island. It is made up of 250 smaller islands, and it is famous for the appearance of a dry road in the middle of the sea, near the end of February and mid June of the lunar calendar. As it resembles a passage in the Old Testament in the Book of Exodus, the event is called “The Miracle of Moses”. When the water recedes, a road about 30-40 meter wide and 2.8 km long appears, which stays for about an hour before being submerged again.Jindo Island has some legends which are still popular today, especially that of “Old Woman Bbyong of Hoedongri”. A long time ago, there were many tigers on Jindo Island. When tigers began appearing frequently in the village, the people fled to Modo Island. In the process, only the old woman Bbyong ended up remaining on the island, so the lady prayed everyday to Yongwang, the god of the ocean, to let her see her family again. Around February, Yongwang appeared to her in her dream and said, “I will send a rainbow to the sea tomorrow; ride it and cross the ocean”. The next day old woman Bbyong went out to the sea and prayed again, and the seawater parted as the rainbow road appeared. Through this road, her family and the other villagers came back to the island. Therefore when the sea parts, the people celebrate this phenomenon by holding the Yeongdeung Festival to remember the Old Woman Bbyong. During the Festival, original folk plays of Jindo Island are performed and draws many tourists into Jindo Island. 

Omokdae is located on top of a steep hill and is one of the places where Yi Seong-gye (who later became King Taejo, the first king of the Joseon Dynasty) stopped to celebrate his victory on his way home from a war with Japanese invaders at Hwangsan Mt, Unbong at the end of the Goryeo Era. It is also a place where Mokjo, one of Yi’s forefathers, had once lived.Across from Omokdae is Imokdae, which is located near the foot of Seungamsan Mountain where Chimyeongjasan, a holy Catholic monument is placed. 80m down from Imokdae are memorial stones and a memorial house.Imokdae is the place where Mokjo (forefather of King Taejo) had played war games as a child with his friends, a simple action which appears in ‘Yongbieocheonga’ (a 15th century ballad narrating national longevity and cultural achievement). Mokjo left the Jeongju area and moved to Hamgyeong-do as a result of a feud with the Jeonju Busa (public governing official). Yi Seong-gye (King Taejo) believed that Mokjo’s move to Hamgyeong-do five generations before his birth was a sign from heaven pointing to his founding of the Joseon Dynasty.

Incheon Open Port Modern Architecture Exhibition Center (Former Incheon Branch of Japan's 18th Bank) was built to control Korea's finance industry by Japan. It completed construction in 1890 and opened in October but records on the time when the work finished was unknown. In 1954, the building was used by Hanguk Heungeop Bank, and it is built in a single-layered with classical decorations of eclecticism style. The stone pillars at the entrance was delicately built and the roof was formed like Japanese roof tiles, exuding an exotic ambiance. The place has now transformed into an exhibition center that introduces the states of modern architecture in the areas of Incheon Open Port.

The Museum of Korean Art consists of the temple museums in Wonseo-dong and Changsin-dong, in Jongro-gu in Seoul. They are specialized Buddhist art museums with about 6,000 relics related to Buddhism including statues, paintings, ceramics, and folk crafts. Some of them are national cultural assets: Treasure No. 1204 is Uigyeomdeungpilsuwolgwaneumdo and Treasure No. 1210 is Cheongnyangsangwaebultaeng. The museum in Changsin-dong has on exhibit the Daeungjeon Sinjungdo, a cultural asset of Seoul City. The museum was established to promote not only Buddhist art but also other genres and traditional art forms.

Mongchontoseong Fortress is an earthen fortification from the Baekje Dynasty (18 BC-660 AD). It was built sometime between the 3rd and 4th centuries, using the natural protection offered by a tributary to the Hangang River on one side and wooden barricades for added defense on the other side. The fortress has been designated as Historic Site No. 297, and is currently located inside the Seoul Olympic Park.Mongcheontoseong Fortress features an overlapping structure of the outer and inner fortifications that were built along the hilly areas descending down from the Namhansanseong Fortress. On display inside the fortress are artifacts excavated from the site that date back to the Baekje Dynasty. The exhibited items include various earthenware and living tools. The site also displays dugout hut and storage pit sites in the state they were at the time of excavation.

Discover the Heart of Korean Pop Culture at "HiKR Ground" – Your Ultimate Korean Entertainment Destination!         Prepare yourself for an extraordinary journey where tradition meets contemporary, art meets technology, and dreams meet reality. Nestled in the pulsating heart of Seoul, the Korea Tourism Organization Seoul Center introduces "HiKR Ground," a trailblazing space that is more than just a Korean tourism publicity center — it is your gateway to the exhilarating world of K-Pop, mesmerizing media art, and the authentic Korean local tourism experience that goes beyond your imagination. Step into a Realm of Unforgettable Experiences: First Floor - The HiKR Wall and Beyond Embark on an unprecedented visual journey through the "HiKR Wall," a grandiose media canvas showcasing the impeccable artwork, "Landscape of the New City" by the renowned media artist Lee Lee-nam. Here, you're not just viewing art; you're stepping into it, surrounded by vibrant displays and curated tourism videos brought to you by global Hallyu aficionados. Your adventure into the Korean zeitgeist begins here, drawing you into a world where art and technology dance in a vivid tapestry of sights and sounds, offering a modern gaze into the Korean spirit.   Second Floor - Your K-Pop Dream Studio Channel your inner K-Pop star at the state-of-the-art XR Live Studio, where you are the lead in your music video. This is not just a studio; it is a canvas where your K-Pop dreams come to life, with the vibrant backdrop of the rejuvenated Cheonggyecheon Stream adding a touch of natural splendor to your production. And while here, don’t miss the captivating "North Wall" installation by the illustrious artist Suh Do-ho, a piece that seamlessly blends art and nature, offering a contemplative space amidst the K-Pop excitement.   Third & Fourth Floors - Dive Deep into the Local Korean C Ascend to the upper echelons of "HiKR Ground" where a rich tapestry of local Korean experiences awaits. Here, every corner offers a new adventure, with exhibitions that narrate the poetic tales of Korea's lands and waters, and interactive sessions that bring you face to face with the artistry and craftsmanship that is quintessentially Korean. What sets "HiKR Ground" apart is its unwavering commitment to offering a multi-faceted exploration of Korean culture, with a special emphasis on fostering a deep connection with the younger generation. It's a haven where the young and the young at heart can forge unforgettable memories, diving deep into a culture rich in history, yet vibrant and contemporary. Come, be a part of this vivacious journey, as "HiKR Ground" greets global enthusiasts with a warm "Hi" and opens its doors to a playground where every moment is a celebration of the Korean spirit. Discover "HiKR Ground"— where Korea welcomes the world, and where every visitor becomes a part of the ever-evolving Korean story. Let's make history together at "HiKR Ground," your ultimate destination for a rich, immersive, and truly Korean experience.

Soon after its opening in 1983, the Park Ryu Sook Gallery moved to Cheongdam-dong, an uncharted territory back in 1988. Ever since, the gallery has played a significant role in turning the region into one of the most representative art places in Korea. The Park Ryu Sook Gallery mainly deals with modern art, and contributes to the development of Korea's modern art scene by recruiting and supporting talented rookies in the field, and by introducing artwork of major modern artists from abroad. Moreover, the gallery works to promote Korean art worldwide by joining major art fairs such as the Chicago, Koln, and Basel art fairs. Through these and similar activities, the Park Ryu Sook Gallery works to provide the public the invaluable opportunity to enjoy quality artwork, maximize their own creativity, and take a moment out of their hectic lives to indulge in a little self-reflection.  

There are two stories about how Busan's 415m high Geumnyeonsan Mountain got its name. One suggests that the mountain resembled lotus flowers and the other argues that Buddhists served Buddha with golden flowers. Although the mountain used to be home to two temples, Banyaam and Banyamilda, there are only traces of those sites left. Renowned for majestic tolling of temple bells, the mountain belongs to one of eight scenic sights in Suyeong and offers a training facility for children, mineral spring spots, and hiking trails.

Sokcho Expo Tower in the area of Cheongchoho Lake, Joyang-dong, is an observatory tower set in a park surrounded by mountains and lakes. The tower is 73.4m in x_height and can accommodate up to 100 visitors at once. From the observation platform, visitors can enjoy a complete view of the Sokcho area, including Ulsanbawi Rock and Daecheongbong Peak in Seoraksan Mountain, the East Sea and downtown Sokcho. The view around sunset is especially picturesque and the migratory bird habitat of Cheongchoho Lake is also located near the tower.

Located at the corner of Seoul's busiest downtown intersection, Deoksugung Palace is famous for its elegant stone-wall road. It is also the only palace that sits alongside a series of western style buildings that add to the uniqueness of the surrounding scenery. Deoksugung Palace originally belonged to Wolsandaegun (1454-1488), the older brother of King Seongjong (1469-1494) of the Joseon Dynasty. It became a proper palace when Gwanghaegun (1575-1641) ascended to the throne and gave the palace the name Gyeongungung in 1611. Afterwards, the name was then changed back to its orginal title of Deoksugung. Upon entering Deoksugung Palace and Daehanmun, visitors will cross the wide bridge of Geumcheon. The king's carriage would pass over this bridge during ancient times. The Beopjeon Building Junghwajeon is very stately, revealing its long history. The Jeukjodang Building received its name from Gwanghaegun and In-Jo, who both ascended to the throne here. The front sign on Jeukjodang was written personally by Go Jong in 1905 after he became king. Hamnyeongjeon was where Go Jong slept, and Hamnyeong was named so to wish Go Jong lasting peace. The East Wing served as the king’s room, and the west wing was for the queen. Jeonggwanheon was the first western style building built in the palace, completed in 1900. Go Jong enjoyed drinking coffee and spending his free time here. The back of the building had secret passageways to the Russian Emissary, which still exist today. Seokjojeon is the other western-style building that still remains in Deoksugung, and it was in the process of being built by a British man for his company, when in 1905 the property rights were transferred to Japan. It was finally completed in 1910. After Gojong’s death, Seokjojeon became a Japanese art gallery open to the public. After the Korean Declaration of Independence, the American-Russian joint commission was held here as well in May 1946. The east wing of Seokjogwan building now serves as a palace treasure exhibition, and the west wing is used as part of the National Modern Art Center. The Junghwajeon (Junghwa Hall) was the center of politics during the period of Daehanjeguk (the Great Korean Empire) and served as the backdrop to critical discussions on national affairs among the country’s leaders. The elaborateness of the hall’s interior is said to reflect the confidence of King Gojong (26th king of the Joseon Dynasty, r. 1863-1907) in his ability to effectively lead the country into the 20th century. One of the most striking parts of the building is the pair of dragons that decorates the canopy above the throne of the king. These dragons can also be seen on the ceiling of Junghwajeon and were representative designs of Deoksugung Palace, the imperial palace at that time. Though the Junghwajeon was originally built in 1902 as a multi-roofed building, it was redesigned as a single-roofed building in 1906 after it caught on fire in 1904. In 1592, the Japanese army landed in Busan and marched to the capital of Seoul. Prior to their arrival, King Seonjo fled to Uiju, where he stayed for one and a half years. When he returned to Seoul, he had no place to stay because all of the places had been burned down during the war. So, he used this place, which was originally the residence of one of his relative’s families, as a temporary palace. Prince Gwanghaegun succeeded King Seonjo and then renamed this palace Gyeongungung. After King Gojong returned from the refuge with a Russian delegation, he chose to reside in this place. He remained at the palace even after he had been forced to hand over the throne to his son, Emperor Sunjong. The name of the palace was changed at this time to Deoksugung Palace, meaning the “palace of virtuous longevity.” The Junghwa Hall is one of the historical centers of Deoksugung Palace, which stands proudly alongside other notable buildings at the palace, such as Seokeodang, Junmyeongdang, Jeukjodang, Jeonggwanheon, Deokhongjeon, Borugak, and Jagyeokru.