KOTREX (KOTRA Exhibition Center, Daejeon) was first opened on May 19, 1995. Measuring an impressive area of 29,195 square meters and a total exhibition floor space of 4,200 square meters, the center consists of an indoor exhibition space (capacity: 5,000), 2 outdoor exhibition spaces, a large meeting room, and a parking lot with space for up to 500 cars.KOTREX is located in a prime location and can be reached within two hours from anywhere in the nation. Equipped with ultra high-speed optical network facilities for IT-related gatherings, the center is an ideal spot for a variety of events. Since it opened, KOTREX has hosted exhibitions and business meetings for the Daejeon Municipal Government, the Daejeon Government Buildings Management Services, and the Daedeok Research Complex, and has hosted numerous seminars and concerts.

Hongneung Arboretum is a first generation arboretum in Korea. It was established in 1922 when experimental forests were built on Hongneung burial mound, which is the royal tomb of Queen Myeong-Seong. On the 780 square meters area southwest of Mt. Cheonjangsang, there are 9 gardens such as a garden of conifers, a garden of broadleaf trees and an ornamental garden, 3 botanical gardens with edible & medicinal plants garden, an aquatic garden and a wetland garden. There are 6 resting places as well.Hongneung Arboretum has beautiful scenery for every season. The garden of broadleaf trees behind the main building is the one that shows the change of season most dramatically. The hundreds of broadleaf trees appear their best in autumn. The arboretum is good for nature education walk because of the many nameplates offering information on the species and characteristics of each tree. There are also many things to see at the Forest Science Exhibition Hall which provides visitors with knowledge and information of the value of forests, forestry, and the forest industry. The building itself is an exhibition because the hall is made of Korean wood. Inside, there are three general exhibition rooms, a regular exhibit hall, a planning exhibit hall, and a special exhibit hall.You may look around from Garden 1 to Garden 9 in regular order or take the course from Garden 2, pass the Forest Science Exhibition Hall to the mountain ridge ending at Garden 1. Note that it takes approximately 3 hours to see everything, whichever course you may take.

E-World (formerly Wooband Tower Land) is a theme park built around Woobang Tower (Oct. 1987). The area around the tower was remodeled as a European-style park and opened to the public in March 1995. It features a waterfall, fountains, lighting displays, and flowers, as well as rides, exhibition and performance halls, and restaurants. E-World has several plazas characterized by different themes; major plazas include Entry Plaza (at the park entrance), Central Plaza, Children’s Plaza (playground), and Young Town Plaza.

Cheonjeyeon Falls (천제연폭포), named 'The pond of God', consists of 3 sections. Around the falls, a variety of plant life thrives, such as the rare ‘solipnan’ reeds. To the east, there is a cave where cold water pours from the ceiling to create a waterfall.The water from the first waterfall divides into the second and third waterfalls, which then flow into the sea. In Cheonjeyeon Valley, visitors can see “Seonimgyo Bridge” (arch bridge with 7 nymphs carved on the side) and the octagonal “Cheonjeru tower”. Seonimgyo Bridge is also called “Chilseonyeogyo”(meaning "seven nymphs bridge") and it connects Cheonjeyeon with the Jungmum Tourist Complex.On the surface of Cheonjeru Tower, there is a painting that tells Cheonjeyeon’s legend of the nymph and mountain god. In May of every even-numbered year, the Chilseonyeo Festival is held here.

Bulguksa Temple is the representative relic of Gyeongju and was designated as a World Cultural Asset by UNESCO in 1995. The beauty of the temple itself and the artistic touch of the stone relics are known throughout the world.Bulguksa Temple was built in 528 during the Silla Kingdom, in the 15th year of King Beop-Heung's reign (514-540). The temple was originally called ‘Hwaeom Bulguksa Temple’ or ‘Beopryusa Temple’ and was rebuilt by Kim Dae-Seong (700-774), who started rebuilding the temple in 751 during the reign of King Gyeong-Deok (r. 742-765) and completed it in 774 during the reign of King Hye-Gong (r. 765-780). Upon completion, the temple’s name was changed to Bulguksa.Bulguksa Temple underwent numerous renovations from the Goryeo Dynasty (918-1392) to the Joseon Dynasty (1392-1910), but was burned down during the Imjin War (Japanese Invasions, 1592-1598).Reconstruction started again in 1604 during the 37th year of King Seon-jo’s reign (Joseon Dynasty) and was renovated about 40 times until 1805 (during the reign of King Sun-Jo, 1790-1834). After this time, the temple suffered serious damage and was often the target of robbers.In 1969, the Bulguksa Temple Restoration Committee was formed and in 1973, Mulseoljeon, Gwaneumjeon, Birojeon, Gyeongru, and Hoerang (all of which had previously been demolished) were rebuilt. Other old or broken sites (such as Daeungjeon, Geungnakjeon, Beomyeongnu and Jahamun) were repaired.Even today, Bulguksa Temple is home to many important cultural relics such as Dabotap Pagoda (National Treasure No. 20), Seokgatap Pagoda (National Treasure No. 21) Yeonhwa-gyo & Chilbo-gyo Bridges (National Treasure No. 22), Cheongun-gyo & Baegun-gyo Bridges (National Treasure No. 23), the Golden Seated Vairocana Buddhist Figure (National Treasure No. 26), the Golden Seated Amita Figure (National Treasure No. 27), and Saritap Pagoda (Treasure No. 61).

Gwangju World Cup Stadium is a major symbol of Gwangju. Designed to reflect the notion of ‘spreading far and wide’ the exterior is shaped like spokes of a wheel. When lit up, the stadium looks like a glowing dome. The ceiling and large ‘Y’-shaped pillars resemble a ‘Go,’ an instrument used in a traditional game from Gwangju, Gossaumnori. It is with design touches such as these that architects of the stadium have sought to capture and reflect traditional aspects of the Gwangju area.

The house of entrepreneur and activist Seo Sang-don is located in the heart of Daegu. Seo ran a business manufacturing paper, linen, and cotton products, and briefly managed text crops for the government. In 1907, in an effort to repay national debt and to gain independence from Japan, Seo launched the National Debt Repayment Movement as well as a nationwide campaign calling for people to quit smoking.In celebration of Seo's leadership, the City of Daegu restored Seo's old house and opened it to the public. The City also built the National Debt Repayment Park and erected a statue of Seo in his honor.

Gwanbuk-ri Relics and Busosanseong Fortress (Historic Site No. 5) is a mud fortress located on top of Busosan Mountain (alt. 106m) in the northern part of Buyeo. The fortress is estimated by some to have been built around 538 AD (16th year of King Seongwang) to protect Sabi (now Buyeo), which was once the capital of the Baekje Kingdom. Other historians, however, believe that the fortress was already in place by 500 AD (22nd year of King Dongseongwang) and modified in 605 (6th year of King Muwang) into the structure we see today. In either case, some parts of the fortress were reconstructed during the Unified Silla Kingdom period (676-935 AD) and modified again in the Goryeo (918-1392) and Joseon (1392-1910) eras.Busosan Mountain was once considered the guardian mountain of Buyeo and is home to historic landmarks from the Baekje Kingdom (18 BC-660 AD). In addition to Busosanseong Fortress, some of the most famous sites on the mountain include Baekhwajeong Pavilion, Sajaru Pavilion, Banwollu Pavilion, Yeongillu Pavilion, Samchungsa Shrine (dedicated to three loyal subjects of the Baekje Kingdom), Gungnyeosa Shrine, Goransa Temple, Gunchangji (military warehouse site), and Suhyeoljugeoji (site of pit houses for the Baekje soldiers). The mountain is also home to Nakhwaam Rock where, according to legend, 3,000 women of the Baekje Kingdom threw themselves into the river below after the collapse of the empire.Historic Sites of Busosan Mountain■ Samchungsa ShrineSamchungsa Shrine is just a short hike from Sabimun, the main gate of Busosanseong Fortress. The shrine holds the portraits and memorial tablets of Seongchung, Heungsu, and Gyebaek, who were known as the three most loyal subjects of the Baekje Kingdom. Memorial services are held for these great patriots during the annual Baekje Cultural Festival each October.■ Yeongillu PavilionYeongillu Pavilion was built on the site of Yeongildae, an observation platform located on the easternmost peak of Busosan Mountain. Kings and members of the royal family of the Baekje Kingdom once used this spot as a place from which to watch the sun rise above Yeoncheonbong Peak on Gyeryongsan Mountain, plan state affairs, and pray for the peace of the kingdom and their subjects.■ GunchangjiAlso known as “Mallichang,” Gunchangji is the site of a warehouse that was used to store grain for military use. Remnants of burnt grain were discovered at the site in 1915.■ SuhyeoljugeojiSuhyeoljugeoji, only a short distance from Gunchangji, was once the site of a pit house for soldiers of the Baekje Dynasty. The thatched-roof pit houses that stand on the site today have been reconstructed based on historical evidence uncovered during site excavation. Measuring 1m in depth with walls of wood and straw, the pit houses are neighbored by an exhibition hall that stands on the original excavation site.■ Sajaru PavilionSajaru Pavilion, located on the highest peak of Busosan Mountain (alt. 106m), is said to represent the cosmic powers of yin and yang together with Yeongillu Pavilion in the east. Adorned with a nameplate written by Prince Uichinwang Yi Gang (1877-1955), Sajaru commands an ethereal view of the moon and has long since been the source of poetic inspiration. The pavilion was also the site of discovery of the famous Geumdong-seokga-yeorae-ipsang (Gilt-bronze Standing Buddha, Treasure No. 196).■ Baekhwajeong PavilionBaekhwajeong Pavilion, perched on the cliffs of Nakhwaam Rock, was built in 1929 by a poets’ society called Bupungsisa to commemorate the story of the famous rock. According to the historical tale, the women of Baekje flung themselves off the cliffs of Nakhwaam to their deaths after the kingdom collapsed to keep themselves from being defiled by the men of the insurgent kingdoms.■ Gungnyeosa ShrineGungnyeosa Shrine is located a short distance from Taejagol (Crown Prince Valley) to the northeast of Banwollu Square. Established in 1965, the shrine honors the Baekje women who leaped to their deaths from the cliffs of Nakhwaam Rock in 660 when the empire was conquered by the allied forces of the Silla Kingdom and the Tang Dynasty of China. Commemorative rites are held at the shrine every October during the Baekje Cultural Festival.

Paik Nam-june explained: ‘Marcel Duchamp achieved everything in every field except for video art. He created a large entrance and an extremely small exit. The small exit is video art. When we take the exit, we are out of the scope of influence of Marcel Duchamp.’ The NJP Art Center is a creative space, wherein it is possible to practice the ‘mediation of endless potential unfolded outside the exit of Duchamp’. As a space of ‘introspective anarchy of infinite light and life’, the NJP Art Center aims to become a venue for the ‘escape from enlightenment’, going beyond enlightenment. Paik Nam-june, who was well versed in aesthetics and music, rather than the figurative arts, discovered a new ‘exit’ by combining electronic music and happenings. He didn’t regard video and television, with their great disseminative power, or communication networks, as a means for communicating messages, but as an explosion of time, instead creating a space for mandala-based televisuals, and for participation by the public where ‘consilience’ among heterogeneous fields can take place.Inheriting the spiritual legacies of Paik Nam-june, the NJP Art Center will expand the possibilities of creating new media for information and communication in the information age, and create a new space for cultural participation from aesthetic, ethical, and political perspectives. The center aims at expanding effective, creative consumption by encouraging reflections on the aspects of human existence that are still involuntary and lack freedom. The center aspires to become a space for cultural mediation that expands the space of freedom’s activities throughout the globe.

Just south of Gyeongpo Beach is Chodang Sundubu Village, which is famous for sundubu (watery tofu). Along Gangneung's most famous food street the beans are ground for Chodang sundubu, then through several steps, salt water from the East Sea is used in the congealing process resulting in a soft and light tofu. The name of this village, Chodang, originates from the name of a famous family that once lived here known as Chodang-Heoyeop. Heoyeop was the father of son, writer/poet Heo-gyun [1569~1618] and daughter, poet Heonan-seolheon [1563~1589]. A traditional-style Korean house has been reconstructed on the site where the original house of Heo-gyun and Heonan-seolheon once stood.