The Astro Camp was established to encourage young children to take an interest in space and natural science and to develop creative problem-solving skills. To this end, the Children’s Observatory provides a wide range of educational programs developed by expert educators from diverse fields of majors at Yonsei University.In the future, the observatory hopes to continue to expand its experience-centered, in-depth educational programs to help children reach a better understanding of astronomy and natural science principles. Programs focus not only on providing children with accurate information, but also seek to encourage participants to be self-motivated thinkers.

Located at the western end of Jejudo Island, Suwolbong, a small mountaintop, is famous for being a favorite sunset viewing place. The mountain has vertical cliffs spreading out like a scroll painting, created from the sea waves gradually cutting inland. The top the hexagonal pavilion Suwoljeong, from where you can look down on all sides. From this pavilion, you can see all of the West Sea.To the north, off the coast, is the Chagwido (sometimes called Jukdo) Island, where only the top peak area has grass growing, and the rest of the island is made up of dark hyeonmuam rocks and cliffs. Chagwido is famous as a fishing place, and in January, March, June, and December, people come here to fish. Around sunset, Chagwido’s seashore turns crimson red from the sun and is truly an awesome sight to behold.

The ARC is a building that embodies an elegant and geometrical approach to the sky, the earth, culture and river culture. The ARC is an abbreviation of Architecture of River Culture and Artistry of River Culture. With water as it common theme, the multi-purpose space is organized in such a way that the structure itself is a work of art. The interior features a modern, yet simple design concept. The building has exhibition spaces and art galleries on the basement floor, a huge circle theater highlighting the theme of water on the first and second ground floors, and an observatory on the third floor with a view of the surrounding natural landscape.

Hwangnyongsa Temple is attached to the Taegojong Order of Buddhism. No information is available on when the temple was built, but it is thought to have been built by the descendants of Hwang Hee (1363-1462), who returned to his hometown to avoid political strife in the mid Joseon era, wishing for national peace and the prosperity of the family clan. The temple had been taken care of by Hwang Hee’s descendants for generations, but at one time became ruined. The temple had been rebuilt in modern days. The current buildings were re-constructed by Monk Beobin in 1985. Inside, there are Buddhist buildings like Daeungjeon, Gwaneumjeon, Samseonggak, and Beomjongnu. New additions include the three-storied stone pagoda and the Three Buddha statues in front of Daeungjeon Hall. The oldest relic from the temple is the standing Gwanseeumbosal Buddha statue in front of the Three Buddha Statues. The statue is considered to be about a hundred years old.

Maeam Tea Museum originally started from a tea garden in 1964 established by Gang Seongho. The tea museum features hands-on programs that allow participants to directly experience the process of making tea and also learn about proper tea culture.

The Jungwon Tappyeongni 7-story stone tower (National Treasure No. 6) is often referred to simply as “Jungangtap” (“Central Tower”) because of its location at the center of Korea. Standing at a x_height of 14.5 meters, the tower is presumed to have been built during the Unified Silla Period. An outdoor sculpture park (the first of its kind in Chungcheongbuk-do Province) has been established in the grassy area around the tower and contains 26 sculptures created by Korean sculptors. The larger Jungangtapsajeok Park is accented by gazebos, small fountains, a hiking path, and is home to the Chungju Museum, an outdoor museum, a musical fountain, 10 sculptures and etc. The park’s convenient facilities have made it a popular leisure retreat for the citizens of Chungju as well as an educational site for children. Chungjujojeongji Dam, located north of Jungangtapsajeok Park, is another popular retreat for the locals.

Maaekseobulsang (Rock-carved Standing Buddha in Icheon-dong, Andong) is a huge statue. This Buddhist image’s head stands 2.43 meters tall, while the entire statue stretches 12.38 meters high. These days, Jebiwan Temple has been built near the statue, so it has been dubbed “Jebiwan Seokbul.”The body of the large stone Buddha face has been carved into the rock. The statue is in the style of Koryeo (AD 918-1392) Dynasty, with distinctive contouring. This unique style is indicative of those prevalent during the 11th Century. 

Sambong Beach is located to the south of the bridge that connects Nammyeong and Anmyeon-eup. The beach stretches 3 km long and has a x_width of 120m. The beach gently slopes down at a 2° angle and has an average water depth of 1.5m and temperature of 22°C. The beach is easily accessible to many visitors because of the convenient transportation during the summer. The three Sambong Rocks, the Haedanghwa flower (plena) and the rich pine forests are just a few of the beautiful and magnificent features of this beach. The name Sambong, is derived from the three rocks, however four rocks can be seen from the north facing southward while only three are visible from the south. The sand dune created by natural phenomena is a must see here. 

Situated at the southernmost part of the Korean peninsula, Ttangkkeut Songho Beach is the most representative beach in Haeum, featuring dense old pine trees, fine sand, and shallow water perfect for a family vacation spot. Hundreds of pine trees create a scenic forest almost 1km long along the levee which provides a suitable camping site under the forest. Ttangkkeut-gil walking path connects the front of an auto camping site at Songho Beach to Galsan Village and Ttangkkeut Top. The Windbreak pine tree forest in Songho-ri, Haenam is designated as Jeollanam-do’s Monument No. 142, including around 600 pine trees aged 200 years and playing a role in the coastal shelterbelt.

The name “Clayarch” is a compound word of clay and “arch”, which is an abbreviation of “architecture”. It embodies the basic spirit of the museum, which is to pursue development in the field of architectural ceramics through working with science, art, education, and industry. Clayarch Gimhae Museum aims to play a leading role in the development of architectural ceramics, which are now spreading across the globe. It intends to do so by rediscovering the relationship between ceramics and architecture – a matter that has been relatively ignored – as a new direction for ceramic art. This reflects the pluralism of this time, which seeks to pursue something creative and new and to overcome the limitations of specific fields through working with different genres. The museum seeks to actively lead this artistic attempt, and make aesthetic and scientific achievements in this field with theoretical backing gained through academic activities, lectures, and research.