The Museum of Korean Art consists of the temple museums in Wonseo-dong and Changsin-dong, in Jongro-gu in Seoul. They are specialized Buddhist art museums with about 6,000 relics related to Buddhism including statues, paintings, ceramics, and folk crafts. Some of them are national cultural assets: Treasure No. 1204 is Uigyeomdeungpilsuwolgwaneumdo and Treasure No. 1210 is Cheongnyangsangwaebultaeng. The museum in Changsin-dong has on exhibit the Daeungjeon Sinjungdo, a cultural asset of Seoul City. The museum was established to promote not only Buddhist art but also other genres and traditional art forms.

The best way to see Seoraksan Mountain if you only have a limited time, is by taking the Seorak Cable Car. However, it is so popular that you sometimes have to wait in line for approximately 2 to 3 hours during the peak seasons (summer vacation and fall foliage seasons) and during the weekends, but during off-seasons, the cable car can be boarded without having to wait in line. Riding up and down the cable car, visitors can view the fascinating rock formations of the Gwongeumseong region as well as the Sogongwon area, Jeohangnyeong, and Ulsanbawi Rock to the north. To the northeast, downtown Sokcho and the East Sea comes into view.After getting off the cable car, visitors can take a 20 to 30 minute hike to Gwongeumseong to get a birds-eye-view of Oe-Serok. The cable car ascends at a relatively high speed with some excitement. Safety is assured and the scenery can be enjoyed with the guided tour in the cable car. It runs even when it is raining or snowing, but operation may be suspended under windy conditions.

A big grass field including a refreshing pond and well-organized paths make visitors excited at Yongsan Family Park. Yongsan Family Park spans an area of 90,000 pyeong (297,520.66㎡) in what was the former golf course of the Eighth US Army Division and after that the park was scaled down the size to 27,000 pyeong (89,256.20 ㎡) following the construction of the National Museum of Korea on November 15, 1997. The park is comprised of various facilities such as a 2km-walking path, a natural education site, Taegeukgi Park. Visitors can watch pigeons and wild pheasants living the park.

Jindo Island is the third largest island in Korea, next to Jejudo and Geojedo Island. It is made up of 250 smaller islands, and it is famous for the appearance of a dry road in the middle of the sea, near the end of February and mid June of the lunar calendar. As it resembles a passage in the Old Testament in the Book of Exodus, the event is called “The Miracle of Moses”. When the water recedes, a road about 30-40 meter wide and 2.8 km long appears, which stays for about an hour before being submerged again.Jindo Island has some legends which are still popular today, especially that of “Old Woman Bbyong of Hoedongri”. A long time ago, there were many tigers on Jindo Island. When tigers began appearing frequently in the village, the people fled to Modo Island. In the process, only the old woman Bbyong ended up remaining on the island, so the lady prayed everyday to Yongwang, the god of the ocean, to let her see her family again. Around February, Yongwang appeared to her in her dream and said, “I will send a rainbow to the sea tomorrow; ride it and cross the ocean”. The next day old woman Bbyong went out to the sea and prayed again, and the seawater parted as the rainbow road appeared. Through this road, her family and the other villagers came back to the island. Therefore when the sea parts, the people celebrate this phenomenon by holding the Yeongdeung Festival to remember the Old Woman Bbyong. During the Festival, original folk plays of Jindo Island are performed and draws many tourists into Jindo Island. 

There are two stories about how Busan's 415m high Geumnyeonsan Mountain got its name. One suggests that the mountain resembled lotus flowers and the other argues that Buddhists served Buddha with golden flowers. Although the mountain used to be home to two temples, Banyaam and Banyamilda, there are only traces of those sites left. Renowned for majestic tolling of temple bells, the mountain belongs to one of eight scenic sights in Suyeong and offers a training facility for children, mineral spring spots, and hiking trails.

Soon after its opening in 1983, the Park Ryu Sook Gallery moved to Cheongdam-dong, an uncharted territory back in 1988. Ever since, the gallery has played a significant role in turning the region into one of the most representative art places in Korea. The Park Ryu Sook Gallery mainly deals with modern art, and contributes to the development of Korea's modern art scene by recruiting and supporting talented rookies in the field, and by introducing artwork of major modern artists from abroad. Moreover, the gallery works to promote Korean art worldwide by joining major art fairs such as the Chicago, Koln, and Basel art fairs. Through these and similar activities, the Park Ryu Sook Gallery works to provide the public the invaluable opportunity to enjoy quality artwork, maximize their own creativity, and take a moment out of their hectic lives to indulge in a little self-reflection.  

Located at the corner of Seoul's busiest downtown intersection, Deoksugung Palace is famous for its elegant stone-wall road. It is also the only palace that sits alongside a series of western style buildings that add to the uniqueness of the surrounding scenery. Deoksugung Palace originally belonged to Wolsandaegun (1454-1488), the older brother of King Seongjong (1469-1494) of the Joseon Dynasty. It became a proper palace when Gwanghaegun (1575-1641) ascended to the throne and gave the palace the name Gyeongungung in 1611. Afterwards, the name was then changed back to its orginal title of Deoksugung. Upon entering Deoksugung Palace and Daehanmun, visitors will cross the wide bridge of Geumcheon. The king's carriage would pass over this bridge during ancient times. The Beopjeon Building Junghwajeon is very stately, revealing its long history. The Jeukjodang Building received its name from Gwanghaegun and In-Jo, who both ascended to the throne here. The front sign on Jeukjodang was written personally by Go Jong in 1905 after he became king. Hamnyeongjeon was where Go Jong slept, and Hamnyeong was named so to wish Go Jong lasting peace. The East Wing served as the king’s room, and the west wing was for the queen. Jeonggwanheon was the first western style building built in the palace, completed in 1900. Go Jong enjoyed drinking coffee and spending his free time here. The back of the building had secret passageways to the Russian Emissary, which still exist today. Seokjojeon is the other western-style building that still remains in Deoksugung, and it was in the process of being built by a British man for his company, when in 1905 the property rights were transferred to Japan. It was finally completed in 1910. After Gojong’s death, Seokjojeon became a Japanese art gallery open to the public. After the Korean Declaration of Independence, the American-Russian joint commission was held here as well in May 1946. The east wing of Seokjogwan building now serves as a palace treasure exhibition, and the west wing is used as part of the National Modern Art Center. The Junghwajeon (Junghwa Hall) was the center of politics during the period of Daehanjeguk (the Great Korean Empire) and served as the backdrop to critical discussions on national affairs among the country’s leaders. The elaborateness of the hall’s interior is said to reflect the confidence of King Gojong (26th king of the Joseon Dynasty, r. 1863-1907) in his ability to effectively lead the country into the 20th century. One of the most striking parts of the building is the pair of dragons that decorates the canopy above the throne of the king. These dragons can also be seen on the ceiling of Junghwajeon and were representative designs of Deoksugung Palace, the imperial palace at that time. Though the Junghwajeon was originally built in 1902 as a multi-roofed building, it was redesigned as a single-roofed building in 1906 after it caught on fire in 1904. In 1592, the Japanese army landed in Busan and marched to the capital of Seoul. Prior to their arrival, King Seonjo fled to Uiju, where he stayed for one and a half years. When he returned to Seoul, he had no place to stay because all of the places had been burned down during the war. So, he used this place, which was originally the residence of one of his relative’s families, as a temporary palace. Prince Gwanghaegun succeeded King Seonjo and then renamed this palace Gyeongungung. After King Gojong returned from the refuge with a Russian delegation, he chose to reside in this place. He remained at the palace even after he had been forced to hand over the throne to his son, Emperor Sunjong. The name of the palace was changed at this time to Deoksugung Palace, meaning the “palace of virtuous longevity.” The Junghwa Hall is one of the historical centers of Deoksugung Palace, which stands proudly alongside other notable buildings at the palace, such as Seokeodang, Junmyeongdang, Jeukjodang, Jeonggwanheon, Deokhongjeon, Borugak, and Jagyeokru.  

Opened in 1992, Seoul Art Center Gongpyeong Gallery is a 17,791 sq. ft., two-story building with four exhibition halls. It is one of the main pavilions of Insa-dong, displaying diverse artwork ranging from Western and Korean paintings to sculptures. Due to the great interest in Korean paintings, 2~3 of the annual long-term exhibitions focus solely on them.

The Jeonju Korean Traditional Wine Museum offers visitors the unique chance to explore the world of traditional Korean liquor and engage in related hands-on experience programs. At the museum, visitors can see the tools and machines used in the making of alcohol and get a closer look at the different types of Korean traditional wine. Some of the most interesting displays at the museum are the alcohol preparation room and the fermentation room. Thanks to speakers located in these two rooms, visitors are able to hear the amplified sounds of the fermentation process.

Yeongdodaegyo Bridge connects Jung-gu and Yeongdo-gu districts in Busan. Constructed in November 1934, it is the first island-land connecting bridge and the only single-leaf bascule bridge in Korea. The bridge lifts up on one side to make way for large vessels.