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Gyeongju Poseokjeongji
Gyeongsangbuk-do(Gyeongju-si)

Standing on a rock next to a stream, Poseokjeongji (Poseokjeong Pavilion - surface area 7,432㎡) was designated as private monument No.1 on January 21, 1963. The location is originally where the royal villa of the Silla Kingdom (57 B.C.~A.D. 935) had been, but the building no longer exists, and only a stone waterway shaped as a shell is left in its place.Poseokjeongji (Poseokjeong Pavilion) was named so as the shape of the rock grooves, winding and shaped like an abalone. Poseokjeong is built with 63 kinds of rock materials. It is 35cm wide, 26cm deep on average, and the total length is about 10 meters. It is said that the Namsan Valley water was brought here, and was spewed out through a stone turtle, but the stone turtle does not remain today.This is where the Silla Kings had come with their officials and nobles. It is said that they would float their wine glasses on the water where the water would flow along the stone groove, and they would recite poems before their glasses floated up to them.Next to Poseokjeongji (Poseokjeong Pavilion), Poseok valley was also much loved by the Silla people for its clean water and beautiful features. That is precisely why the palace villa of Silla was built here. Nowadays there are zelkovas, pine and bamboo woods preserving the cozy and relaxing atmosphere.

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Buseoksa Temple
Gyeongsangbuk-do(Yeongju-si)

Buseoksa Temple is considered a 'masculine' temple. It differentiates itself from other temples by its huge size and the scenery is refreshing and beautiful. Buseoksa Temple was built in 676, when King Munmu (661~681) ruled the Silla Kingdom (57 B.C. ~ A.D. 935), by the founder Uisang (625~702) after he received orders from the King. Later in the 7th year (1016) of the Goryeo Dynasty (918~1392) was in the reign of King Hyeonjong (reign 1010 to 1031) Great Buddhist Monk Wonyung (964~1053) renovated Muryangsujeon (National Treasure No.18). It was renovated several times afterwards.The legend of lady Seonmyo and Uisang is famous. The two met when Priest Uisang went to Dang (Dynasty of China) to study. When Uisang told Seonmyo he would go back to his country, Seonmyo jumped into the sea and drowned. After death, she became a dragon. Seonmyo followed Uisang to Silla to protect and be with him. When Uisang ran against a crowd that had gathered to stop him from building Buseoksa Temple, Seonmyo brought up stones in the air three times. The stone that floated stands on the left side of Muryangsujeon. Because a wide, flat stone had floated above the ground, the temple was named Buseoksa Temple.At the entrance of Buseoksa you will see 108 steps between Cheonwangmun gate and Anyangmun gate. The number of steps represents redemption from agony and evil passions through 108 cycles. You will find Buseoksa Temple's Three Story Tower when you pass the Iljumun and Cheonwangmun gates. Above the tower you will see Beomjongru. When you pass Beomjongru, you can see a pavilion called Anyang, which means 'entrance to Heaven'. Go past Anyang Pavillion and you will reach the main building of Buseoksa Temple, Muryangsujeon, which boasts beautiful curved lines of the building structure.Muryangsujeon is a wooden building made in the Goryeo Dynasty. Inside you will find National Treasure No.45, Sojo Yeorae Seated Figure. There are more National Treasures and relics inside such as the Josadang (National Treasure No.19), Josadang Wall Painting (National Treasure No.46) and the Stone Lantern (National Treasure No.17) in front of Muryangsujeon.

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Andong Folk Village & Andongho Lake
Gyeongsangbuk-do(Andong-si)

On the other side of the subsidiary dam of Andong Dam, thatched houses will be sparsely seen on the hilltop. The area is the folk scene site where an outdoor museum is built. At the entrance of the outdoor museum two jangseungs (Korean traditional totem poles) are set, followed by a monument inscribed with the poem of famous Andong poet and democracy activist, Lee Yuk-sa. On the monument, his noted works “Gwangya” (Wild Plain) is carved. Near the Dam, are the Andong Folk Village, Andong Museum, Lee Yuk-sa Monument, a filming site of “Taejo Wanggeon,” and Andongho Lake.

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Ragung (Millennium Palace Resort & Spa) (라궁)
Gyeongsangbuk-do(Gyeongju-si)

Ragung, meaning the Palace of Silla, is a premium hanok hotel which combines traditional housing styles with modern interiors. All independent suites are connected by a corridor. The resort has 16 suites in either the Numaru or Madang style. The Numaru style features a traditional living room that is connected to an Ondol room (room with a heated floor). You can enjoy traditional refreshments in the living room, and on the left side of the living room lies an outdoor spa where you can relax and enjoy the hot tub. The Madang style suites have a traditional courtyard and a large outdoor spa. All the suites are fitted with a bedroom, ondol room, living room, and outdoor spa facility that you can enjoy regardless of season.

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Jirye Arts Village
Gyeongsangbuk-do(Andong-si)

Jirye Arts Village is a great place to have a unique experience. Every month there are events such as making rice cake or kimchi and you can stay in traditional Korean houses. Jirye Arts Village is a village with Jisan Seodang (Cultural Asset No. 49), Jichonjongtaek (Cultural Asset No. 44), and Jichonjecheong (Cultural Asset No. 46), which were moved from the Imha Dam area because of the possibility of being flooded. Jisan Seodang was established in 1800, the 24th year under the reign of King Jeongjo (reign 1752~1800) in remembrance of the achievements of Kim Bang-Geol, as a place for the future generations to study in. Jichonjongtaek is the head house of Kim Bang-Geol’s Family. Established in 1712 at his own request, Jichonjecheong was a shrine where sacrificial rites were held, which has been used as an auditorium. Beyond the tile-roofed houses, low mountains surround Jirye Arts Village, and there is a lake down from the village. If you pass the tall gate there is a large square and straight ahead is the main building, the schoolhouse on the right and a shrine on the left hill. Although the village is 350 years old, there are houses with rooms that are heated with wood. Because the village has preserved the old customs with small details, it is a great place to experience and understand Korean traditional culture. Jirye Arts Village is a cultural inquiry spot for foreigners, a creative space for the artists to work, and is also used as a conference space. It is also used as a traditional life study site and as Confucianism institute.

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Dokdo Museum
Gyeongsangbuk-do(Ulleung-gun)

Dokdo Museum was built in 1995 in commemoration of the 50th anniversary of the Independence of Korea. It exhibits the collection of Lee Jong-hak, the first director of the museum, as well as donations by groups associated with Dokdo.The exhibit provides a historical overview of Dokdo, from the Three Kingdoms Era to the present. It also focuses on disproving Japan’s claim to Dokdo and its use of the name “Sea of Japan” to describe Korea’s East Sea. Gallery 1 features materials and maps showing Dokdo as being part of Korean territory before the Sino-Japanese War; Gallery 2 displays Japanese maps showing Dokdo as being a Korean territory, and Gallery 3 displays materials on activities of Ulleungdo Island residents to defend Dokdo during the Korean War. In the outdoor Dokdo Museum, which is currently under construction, natural stones and plants indigenous of Ulleungdo Island can be enjoyed. 

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Dokdo Island
Gyeongsangbuk-do(Ulleung-gun)

Located 87.4km away from Ulleungdo Island, and formed entirely from volcanic rock, Dokdo is an isolated island off the east coast of Korea bearing a latitude of 37°14' north and a longitude of 131°52' east. Collectively, both Ulleungdo Island and Dokdo once belonged to a country named Usanguk. According to geographical records, Usanguk became part of the Silla Kingdom (57B.C. ~ 935 A.D.) in June of the 13th year that King Jijeung ruled Silla. Isabu (a general and politician of Silla) gained significant strength during this period to overtake Usanguk.In the Seongjong Memoir of the Joseon Dynasty, there are passages by Kim Jaju describing Dokdo, which was referred to as Sambongdo at the time. Dokdo was initially called 'Sambongdo', 'Gajido' or 'Usando', but the name was later changed to Dokdo in 1881. The name 'Dokdo' was first used in 1906 by the Headman of Ulleung County Sim Heungtaek. In 1914, Dokdo officially became an administrative district of the Gyeongsangbuk-do.After The Japanese Invasion of Korea in 1592, Japanese fishermen often came near Ulleungdo and Dokdo. Sukjong Sillok, the Annals of King Suk Jong (1674-1720), records that An Yong-bok went to Japan twice in order to protest against Japanese nationals trespassing into Korean territory. He asked the Japanese authorities to recognize Korea's sovereignty over these islands and to forbid Japanese nationals to sail to Dokdo.Dokdo is comprised of two main islands: Dongdo, or East Island which sits 98m above sea level, and Seodo, or West Island, which sits 168m above sea level, together with 36 smaller rock formations. Seperating Dongdo and Seodo is the Hyeongjegul Cave, together with Cheonsanggul Cave on Dongdo. Over time, other caves and topographic features of the island formed due to weathering and erosion.Japan acknowledged the value of Dokdo after the Russo-Japanese War of 1905. Japan unilaterally transferred Dokdo to Shimane Prefecture, Japan and renamed it "Dakesima". Several authorities in Japan have continuously declared their dominion, over the island, which led to diplomatic conflicts between Korea and Japan. Such conflicts have yet to be resolved.Presently there are security guards on Dokdo that protect several houses that were built onto the rocks as well as a small harbor. For more information on traveling Dokdo, click here!

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Andong Soju Museum
Gyeongsangbuk-do(Andong-si)

Andong Soju Museum was established in 1995 to promote and hand down the history and cultural characteristics of Andong Soju. The museum mainly displays the origin of Andong soju, the making process, Korean folk alcoholic drinks, the lineage of alcohol, and bottles and cups throughout history. The museum also offers a hands-on program and sampling area. The Traditional Food Museum is connected to Andong Soju Museum, so visitors can learn about traditional food and Andong’s folk dish, as well as traditional patterns of rites of passage.

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Mungyeongsaejae KBS Drama Studio
Gyeongsangbuk-do(Mungyeong-si)

The Mungyeongsaejae KBS Drama Studio was built by the Korean Broadcasting System (KBS) in 2000 in Yongsagol to film a historical drama about the Goryeo Period. The spacious studio (65,755m2) consisted of two large palaces, 42 tile-roofed houses, 40 thatched houses, and 13 additional buildings. It is the world’s largest historical drama film set.The studio was built in Mungyeongsaejae because its mountains (Joryeongsan and Juheulsan) resemble Songaksan in Gaeseong (the capital of the Goryeo Period) and the area is filled with numerous traditional roads. Major dramas and films shot at the studio include Taejo Wang Geon, the Dawn of the Empire, the Age of Warriors, Dae Jo Yeong, Scandal, and Romantic Assassin.In 2008 the studio was expanded and now covers 70,000m2 and has over 130 buildings representing structures from the Joseon Period, including palaces, houses lived in by the nobles, tile-roofed houses, and thatched houses.

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Golgulsa Temple
Gyeongsangbuk-do(Gyeongju-si)

Located at the foot of Mt. Hamwol, Gulgulsa is the only temple cave in Korea. The temple was built out of solid rock during the 6th century by Saint Gwang Yoo and some accompanying monks, and was designed according to the architectural structure of India.On the top of the temple stands a sculpture of the Maya Tathagata Buddha and surrounding the sculpture are twelve rock caves used as a prayer sanctuary. Seven of the twelve rock cave sanctuaries are still standing today. Golgulsa’s main attractions are the sculpture of the Maya Tathagata Buddha and the Gwaneum Cave.The Buddha sculpture displays the characteristics of the Shilla Buddha, and is 4 meters high. The Buddha has his hair in a topknot, has a calm smile, narrow eyes, small lips, and a long narrow nose. To protect the sculpture of any damage from the wind or rain, a glass ceiling has been installed in the Gwaneum Cave, which is the largest sanctuary of the seven still existing caves.The main Buddha of this cave is the Buddhist Goddess of Mercy, and the cave walls are dedicated to the 108 meditations of the Buddhist Goddess of Mercy. The Gwaneum Cave has a wall with tiles in front of it, which makes it look like an ordinary sanctuary. But once inside, the entire interior from ceiling to walls is carved all from stone. Golgulsa is unlike any other temple. The road to the temple offers an exciting thrill similar to that of rock climbing. Safety ropes and railings surround Golgulsa. A risky climb up a long set of stairs finally leads up to the caves, including Gwaneum Cave, Jijang Cave, and Yaksa Cave.The Maya Tathagata Buddha can only be seen after climbing the rock walls and holding on tightly to the safety ropes, but only past the cave-like rock that juts out.

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