Gyeonggi-do(Namyangju-si) , Namyangju

Opened in 1995, Chungnyeongsan Mountain Natural Recreation Forest is located at Oebang-ri, Sudong-myeon, Namyangju-si, Gyeonggi-do, around 1 hour from Seoul. The recreation forest has various trekking courses leading to Chungnyeongsan Mountain and Seorisan Mountain and facilities like the forest park, training facility, water play site, nature observation sites, camping sites, and more.


Gyeonggi-do(Namyangju-si) , Namyangju

Dasan Heritage Site is located in the hometown of Dasan Jeong Yak-Yong (1762~1836), a scholar from the late Joseon Dynasty. Growing up in the village, Dasan criticized corruption, and tried to reform outdated institutions and conventions. During his long exile, Dasan authored "Mongminsimseo" (a book on how to rule the people) and "Gyeongseyupo" (a book on how to reform land policies, stabilize people's lives, and strengthen the nation and its army) among others. Today, Dasan is regarded as one of the greatest scholars of Silhak (Realist school of Confucianism) of the late Joseon Dynasty.At Dasan Heritage Site, Dasan's birthplace, Yeoyudang, grave and works are well preserved. Dasan Memorial showcases the scholar's achievements and footprints such as Geojunggi, a traditional equipment used to lift heavy objects in the Suwon Fortress construction, and the miniature Gangjin Dasan Chodang, where he lived in exile. Dasan Cultural Center houses Dasan's numerous writings and books.


Gyeonggi-do(Uijeongbu-si) , Uijeongbu


Gyeonggi-do(Goyang-si) , Ilsan


Gyeonggi-do(Gapyeong-gun)

Cheongpyeong Recreational Forest (청평자연휴양림) boasts a pristine natural landscape that overlooks Cheongpyeongho Lake in Bukhangang River. The forest is a great getaway from the monotony of urban life where visitors can immerse themselves in the beauty of nature. The forest changes color every season, offering breathtaking views of Cheongpyeongho Lake through colonies of pine trees and oak trees in the spring and summer, colorful foliage in autumn, and a white snow-covered landscape in the winter. Sounds of flowing water and birds singing add to the joy of the great outdoors. The forest offers 5 buildings for general accommodation and 2 ‘Mayflower’ buildings for friends and couples. There is also an observatory, picnic site, swimming pool, forest cafe, garden, and auditorium. Located in the vicinity of Seoul, the forest is easily accessible as a weekend getaway. It is recommended for family gatherings and group workshops.


Gyeonggi-do(Icheon-si) , Icheon


Gyeonggi-do(Pocheon-si) , Pocheon


Gyeonggi-do(Yeoju-si) , Yeoju

Bandal Art Museum, which opened in 2002, displays domestic and foreign ceramic livingware. The Ceramic House is one of the most popular exhibits for visitors with its displays of ceramics set in a re-created living room, bathroom, kitchen, and so forth. Nearby tourist attractions include Silleuksa Temple, the Tomb of King Sejong and more.


Gyeonggi-do() , Icheon

The Gyeonggi International CeraMIX Biennale first started in 2001 and has continued to contribute to the field of ceramics by showcasing hidden talents and allowing artists to experiment with their art. In a further attempt to push the boundaries of ceramic art, the festival in 2011 encouraged artists to expand their art by using elements from other art genres.This 2015 festival’s theme will be called “Color: Ceramic Spectrum,” and it will demonstrate the creative aspect of ceramic arts. Generally, the word ‘color’ carries a physical and optical connotation, but this festival intends to expand the term’s meaning into a more idiomatic definition that encompasses the concepts of classifying objects and defining identity. Thus, the meaning of ‘color’ is portrayed by the artists’ own expression and artistic attitude at the festival. This festival divides color into three categories: “Isaek” (이색; distinctive color), which focuses on new trends and possibilities of ceramic art; “Chaesaek” (채색; multicolored), which shows modern ceramic art through a combination of other genres; and “Bonsaek” (본색; traditional color), which reflects the traditional factors of the three East Asian countries, connecting the past, present, and future of ceramics.※ The festival is held every second year.