Gwangju Biennale is an international contemporary art exhibition that takes place once every two years. Taking place in 2014, the event marks 10th anniversay and will celebrate the importance of being together though the theme of “Burning Down the House (터전을 불태우라).” It will bring together many different people, different times, various roles in arts production, and numerous different positions toward power such as exist in various social, political, and cultural situations. The biennale consists of an exhibition, several workshops, e-journals, books, and various programs such as residency programs and new commissions.
[About the 2014's theme]
Burning Down the Houseexplores the process of burning and transformation, a cycle of obliteration and renewal witnessed throughout history. Evident in aesthetics, historical events, and an increasingly rapid course of redundancy and renewal in commercial culture, the Biennale reflects on this process of, often violent, events of destruction or self-destruction―burning the home one occupies―followed by the promise of the new and the hope for change.
In the 1930s the critic Walter Benjamin coined the term ‘Tigersprung’ (the tiger’s leap) for a new model of history where the past is activated in and through the present within a culture industry that demands constant renewal. What can the ‘Tigerspung’ mean for today’s ‘tiger economies’ like South Korea in a context where economic and political powers deliver the eternally new of fashionable commodities and industrial progress at the apparent expense of a cultural past?
Burning Down the House looks at the spiral of rejection and revitalization that this process implies. The theme highlights the capacity of art to critique the establishment through an exploration that includes the visual, sound, movement and dramatic performance. At the same time, it recognises the possibility and impossibility within art to deal directly and concretely with politics. The energy, the materiality and processes of burning ― the manner in which material is changed and destroyed by flames into the residue of dramatic interventions or remnants of celebrations ― have long informed artistic practice. The transformative powers of fire are central to the way in which this exhibition has been imagined.
-Courtesy of Gwangju Biennale Foundation
