The Jeon Hyuck Lim Mueseum of Art
 
Gyeongsangnam-do(Tongyeong-si) ,
The Jeon Hyuck Lim Museum of Art is located on the way to Yonghwasa Temple on Mireuksan Mountain in Tongyeong. This site used to be the location of the house where master painter Jeon Hyuck-lim lived for about 30 years since 1975. A new building was constructed and the site was turned into a creative space, opening to the public on May 11, 2003. The outer walls of the building is decorated with the master painter's paintings and his son Yeonggeun's paintings which were selected from among their works and reproduced by utilizing about 7,500 20x20cm ceramic tiles, with a view to represent the image of Tongyeong and the artistic image of the master painter. In particular, the front wall on the third floor is a reproduction of the great artist's work titled "Window" painted in 1992.

Daegaya History Theme Park
 
Gyeongsangbuk-do(Goryeong-gun) ,
Daegaya History Theme Park is located in what was the center of the Daegaya Kingdom. The park offers various areas to learn about not only the history of the area, but also the current culture and the future of Goryeong. In particular, visitors can enjoy various items produced during the Daegaya era such as pottery, ironworks, and the gayageum, as well as visit at 4D theater and walk along the forest exploration trail.

Chi-ong Art Center
 
Gyeonggi-do(Gapyeong-gun)
Chi-ong Art Hall is a cultural complex center, established to support local artists and also citizens’ various artworks who lives in north-east of Gyeonggi-do, with Gapyeong as the central region. They operate schools that offer a variety of cultural programs such as making of earthenware, pottery, natural soap, natural dye, tea ceremony, traditional songs and samulnori. Also, they hosts exhibitions, outdoor performances, and a regular Youth Art Festival. Moreover, visitors can learn the process of how a hanok is built through the outstanding skills and knowledge acquired through over 20 years of research, as well as a whole representation of traditional hanok structure.

Hansan Mosi
 
Chungcheongnam-do(Seocheon-gun) ,
The Hansan Mosi (Ramie Fabric) Museum (한산모시관) in Seocheon was founded to publicize Hansan ramie fabric, pass down the craft and develop its long tradition. One can view the entire ramie fabric manufacturing process, and watch as women weave ramie products on looms. Every spring, the Hansan Ramie Fabric Festival is held at the Hansan Mosi(Ramie Fabric) Museum. During the festival, visitors can weave a ramie product themselves. Also, because nearly 250 local cultural resources are on display, guests can take a look at and gain an understanding of the lifestyle and culture of Koreans of old.

Hyangho Beach
 
Gangwon-do(Gangneung-si) ,
Hyangho Beach is located in Jumunjin, Gangneung. It is a beach attraction where the boy band BTS filmed their album photo at a bus stop. Although the bus stop in the photo is not an actual bus stop, the booth remains at the beach as a photo zone. Other photo zones are also scattered around the beach, drawing many visitors who seek to take memorable photos with the open beach in the background.  

Changnyeong Upo Wetland
 
Gyeongsangnam-do(Changnyeong-gun) ,
There are four large and small swamps around the Yibang-myeon, Daehap-myeon, and Daeji-myeon areas of Changnyeong-gun, which are collectively called ‘Upo Wetland’. They are the largest natural swamps in South Korea, with a total size about 5,550 square km. The bottom of the swamp is shallower than 1m and there are over 1,000 species living in its murky waters. It has a primitive atmosphere with 100 kinds of plants containing 28 kinds of aquatic plants and 72 types of hydrophytes.Upo Wetland is a primitive low bed wetland, which was created about 140 million years ago. When soft ground collapsed, water started to come to a low basin, and this was a lake where dinosaurs lived 100 million years ago. Upo Wetland was formed in with the sediments from the mountains brought in by rivers. From the outer edge, the current Upo Wetland is going through natural alteration and ecological succession from a lake to swamp and from grass-covered plain to a forest. At Upo Wetland there are eight famous sites such as fireflies, constellation gazing, and willow groves, but there are many, many other interesting things to see. Among the eight famous sights, the Upo rain-fog is an especially eye-catching natural phenomenon, becoming visible when there is no wind, when skies are clear, and the temperature difference between day and night is 10 degrees or more. The fireflies come out around 8~9 P.M. in August and September, and they are also worth watching. In winter, migrating birds spend their winter here and you can watch about 33 species of birds such as swans, whopper swans, bean geese, teals and wild ducks. It is better to take a walk in the evening or early in the morning rather than in the daytime, it would be great also to visit in the night under the starlight. 

Firefly Restroom
 
Gyeonggi-do(Suwon-si)
In honor of the 2002 FIFA World Cup Korea/Japan, Suwon adopted the idea of ‘restrooms with culture’- building beautiful, clean, brand new bathrooms at main tourist sites around the city. The Firefly Restroom, located near the Gwanggyo Reservoir, is the most beautiful of them all. It features a tunnel for the handicapped, a ceiling which filters light, a simple interior, a coffee vending machine, and a rest area.

Bongjeongsa Temple
 
Gyeongsangbuk-do(Andong-si) ,
Bongjeongsa Temple was built in the 12th year of King Munmu, who ruled the Silla Kingdom from 661 to 681. According to legend, the Great Buddist Monk Ui-Sang (625-702) was launched from Buseoksa Temple and landed on this spot. Documents from Geuknakjeon state that Neungin Daedeuk, a disciple of Monk Ui-Sang, established the temple, and it was rebuilt several times during the Joseon Dynasty (1392-1910).Bongjeongsa Temple is the largest temple in Andong and possesses the oldest wooden building in Korea, called Geuknakjeon. Past the Ilju Gate and the forest path is the Bongjeongsa Temple. Bongjeongsa Temple has a unique and elegant atmosphere. The old trees and hermitages nearby are also worth a look. There are many towers inside, such as the Daeungjeon (National Treasure No. 55), Geuknakjeon (National Treasure No. 15), and many others. There are also important buildings, such as the three-storey Stone Pagoda, the representative pagoda of the Goryeo Dynasty (918-1392). Geuknakjeon from the Goryeo Dynasty and Daeungjeon from the Joseon Dynasty stand next to each other. It is interesting to compare these two types of architecture. Inside both buildings are trees with the complete collection of Buddhist Sutras, Laws, and Treatises.

Gangguhang Port
 
Gyeongsangbuk-do(Yeongdeok-gun) ,
Gangguhang Port is a large harbor in Yeongdeok, Gyeongsangnam-do Province. Osipcheon Stream, which is well known as a place for sweetfish-fishing, runs from Mt. Juwangsan in Cheongsong and empties into the sea at Gangguhang Port. Gangguhang Port is the main marketplace for Yeongdeok Daegae crabs and since there are so many places selling crabs near the port, the area is called "Daegae Street." Most recently, a large sculpture of a sailboat was put in place near the port, becoming a landmark for tourists. Gangguhang Port was a film location for many dramas and movies and is also famous for its driving course that winds along the coast and through the fishing community (Road #918 between Gangguhang Port and Chuksanhang Port).

Samtan Art Mine
 
Gangwon-do(Jeongseon-gun) ,
At the foot of Hambaeksan Mountain where was the main producing place of anthracite, Samtan Art Mine transformed an abandoned mine which is unique and special point of the place, into a cultural art complex. The name of ‘Samtan’ refers to Samcheok Tanjwa, one of major coal mines in Korea, and ‘Art Min’ refers to ‘Coal mine’ in English and has meaning that of a mining coal turning into cultural art space. Throughout the nation, many cultural art places are located but Samtan Art Mine attracts visitors for being an actual mine site, which was closed in October 2001 after its first opening in 1964 when it was developed as a industrial establishment. Likewise, it is meaningful that the mine site became an artistic site despite its historically poignant history.