Opened on June 10, 1994, the Busan Marine Natural History Museum is the first and largest museum of its kind in Korea. The museum features some 25,000 marine specimens from over 100 countries around the world, including rare living species and those native to Korea. The museum opened a second exhibition hall in April 2003, and launched the Busan Fishing Village Folk Museum on February 23, 2007. Marine life on display in the museum The major exhibits of Busan Marine Natural History Musem include the largest existing man-eating clam, arapaima (the largest living freshwater fish), oarfish (a legendary fish that is said to live half of the month in the mountains and the rest in the sea), whale fish (the largest living of the fish species), jumbo squid (the largest of sthe quid species), a blade bone fossil of a dinosaur, piranha (an omnivorous freshwater fish that inhabits South American rivers), sturgeon (toothless bony fish species, whose eggs are often eaten as caviar), water monitor (the second largest species of lizards), alligator snapping turtle (giant turtle with strong teeth and a violent temper), spur-thighed tortoise (the third largest turtle in the world) and more!

The city of Suwon established the Suwon Hwaseong Museum to present the history and culture of the Suwon Hwaseong Fortress, an important Korean cultural asset and UNESCO World Cultural Heritage Site.The museum has two permanent exhibition spaces: ‘The Exhibition Hall on Construction of Fortress’ (construction process of the Suwon Hwaseong Fortress and the development of the city) and ‘The Cultural Center’ (illustrates various historical events related to the fortress such events held during the 8-day visit of King Jeongjo in 1795).In addition, the museum runs a ‘Children’s Experience Center,’ where children can learn ancient measurement systems, try on royal court costumes, and more. The Suwon Hawseong Museum not only displays relics from Suwon Hwaseong Fortress (one of Korea’s most impressive historical heritages); it also gives visitors an opportunity to experience and explore.

Gwanbuk-ri Relics and Busosanseong Fortress (Historic Site No. 5) is a mud fortress located on top of Busosan Mountain (alt. 106m) in the northern part of Buyeo. The fortress is estimated by some to have been built around 538 AD (16th year of King Seongwang) to protect Sabi (now Buyeo), which was once the capital of the Baekje Kingdom. Other historians, however, believe that the fortress was already in place by 500 AD (22nd year of King Dongseongwang) and modified in 605 (6th year of King Muwang) into the structure we see today. In either case, some parts of the fortress were reconstructed during the Unified Silla Kingdom period (676-935 AD) and modified again in the Goryeo (918-1392) and Joseon (1392-1910) eras.Busosan Mountain was once considered the guardian mountain of Buyeo and is home to historic landmarks from the Baekje Kingdom (18 BC-660 AD). In addition to Busosanseong Fortress, some of the most famous sites on the mountain include Baekhwajeong Pavilion, Sajaru Pavilion, Banwollu Pavilion, Yeongillu Pavilion, Samchungsa Shrine (dedicated to three loyal subjects of the Baekje Kingdom), Gungnyeosa Shrine, Goransa Temple, Gunchangji (military warehouse site), and Suhyeoljugeoji (site of pit houses for the Baekje soldiers). The mountain is also home to Nakhwaam Rock where, according to legend, 3,000 women of the Baekje Kingdom threw themselves into the river below after the collapse of the empire.Historic Sites of Busosan Mountain■ Samchungsa ShrineSamchungsa Shrine is just a short hike from Sabimun, the main gate of Busosanseong Fortress. The shrine holds the portraits and memorial tablets of Seongchung, Heungsu, and Gyebaek, who were known as the three most loyal subjects of the Baekje Kingdom. Memorial services are held for these great patriots during the annual Baekje Cultural Festival each October.■ Yeongillu PavilionYeongillu Pavilion was built on the site of Yeongildae, an observation platform located on the easternmost peak of Busosan Mountain. Kings and members of the royal family of the Baekje Kingdom once used this spot as a place from which to watch the sun rise above Yeoncheonbong Peak on Gyeryongsan Mountain, plan state affairs, and pray for the peace of the kingdom and their subjects.■ GunchangjiAlso known as “Mallichang,” Gunchangji is the site of a warehouse that was used to store grain for military use. Remnants of burnt grain were discovered at the site in 1915.■ SuhyeoljugeojiSuhyeoljugeoji, only a short distance from Gunchangji, was once the site of a pit house for soldiers of the Baekje Dynasty. The thatched-roof pit houses that stand on the site today have been reconstructed based on historical evidence uncovered during site excavation. Measuring 1m in depth with walls of wood and straw, the pit houses are neighbored by an exhibition hall that stands on the original excavation site.■ Sajaru PavilionSajaru Pavilion, located on the highest peak of Busosan Mountain (alt. 106m), is said to represent the cosmic powers of yin and yang together with Yeongillu Pavilion in the east. Adorned with a nameplate written by Prince Uichinwang Yi Gang (1877-1955), Sajaru commands an ethereal view of the moon and has long since been the source of poetic inspiration. The pavilion was also the site of discovery of the famous Geumdong-seokga-yeorae-ipsang (Gilt-bronze Standing Buddha, Treasure No. 196).■ Baekhwajeong PavilionBaekhwajeong Pavilion, perched on the cliffs of Nakhwaam Rock, was built in 1929 by a poets’ society called Bupungsisa to commemorate the story of the famous rock. According to the historical tale, the women of Baekje flung themselves off the cliffs of Nakhwaam to their deaths after the kingdom collapsed to keep themselves from being defiled by the men of the insurgent kingdoms.■ Gungnyeosa ShrineGungnyeosa Shrine is located a short distance from Taejagol (Crown Prince Valley) to the northeast of Banwollu Square. Established in 1965, the shrine honors the Baekje women who leaped to their deaths from the cliffs of Nakhwaam Rock in 660 when the empire was conquered by the allied forces of the Silla Kingdom and the Tang Dynasty of China. Commemorative rites are held at the shrine every October during the Baekje Cultural Festival.

Located in Seoul Subway Line 2, Yongdap Station Bridge is a place that takes part in the everyday life of the local community. It was also a filming site in tvN's drama "Guardian (2016)" for many notable scenes, inclduing Sunny and Jeoseungsaja's first encounter.

Cheongwadae Sarangchae is a space to learn about Korean culture and the history of former Korean presidents. The area is comprised of a planned exhibition hall where various special exhibitions are held, Korean culture exhibition hall, Korean food (hansik) promotion hall on the first floor and Cheongwadae Hall which introduces former Korean presidents and Haengboknuri Hall which presents the future vision of Korea on the second floor.

The National Gugak Center (Formerly: National Center for Korean Traditional Performing Arts) is the governing body established to preserve and promote traditional Korean performing arts. It consists of three performance halls. First, the largest venue for traditional Korean performing arts is the Reservation Hall. The outward appearance of this theatre is based on Suwon Castle. The interior is built to accentuate all the features of the performing platform for traditional performing arts, and can accommodate every single type of traditional performing art, such as Palace Music, Court Music, and all other genres including major productions of Changguek (Korean musical drama). The structure of the stage and seats are reminiscent of a Korean yard.Long ago in Korea, traditional arts were performed in the yard. The audience was separated into an area in the shape of an earthen wall, and the ceiling had a shield/kite shaped emanating plate. The theatre gives the illusion of being in an ancient Korean household. On the 2nd floor of the Reservation Hall, there is a separate children's playground, which allows for quiet enjoyment of the music in the performance hall. Umyeondang (small hall) was designed to accommodate performances which were held outdoors. The performing space can be adjusted to fit the needs of the production.The National Gugak Center Outdoor Performance Stage is also called the "Star Welcoming Stage." You can watch many traditional performances that are usually held on traditional holidays. You can listen to traditional music, and if you want more information on the music try going to the Gugak Museum. Videos on Korea's traditional instruments and other Gugak related videos are always exhibited here. Also at the shop you can buy various Gugak related souvenirs. Having a Gugak CD or a cassette will be a great souvenir to remember the inspiration of Gugak for a long time. At the Front courtyard of the museum you can try to play traditional games and instruments from 10am to 5pm. You can play traditional games like neol ttwigi (seesaw jumping) or jegi chagi (Korean hacky sack) and try playing traditional instruments like the jing (gong), janggu (drum), kkwaenggwari (cymbal) and buk (drum).

After Korea gained independence from Japan in 1945, the former president Lee Seungman and his wife lived in their house called Ihwajang. Even though he moved out of the house after he was elected the first president of Korea, he used to return and visit for walks in the garden. After he relinquished his appointment as president, he stayed here for a while before coming to America as an exile.Ihwajang house consisted of the bonchae, or the main building, which was where Lee Seungman and his wife’s living quarters were, jogakdang(president’s office area) and other buildings. Jogakdang, the president’s office area, is a small and narrow building but it is an important historical place where he had a conference to form the first Korean ministry. Ihwajang house shows the change of Korean traditional house under Japanese control. 

Gyeongju National Park is a bevy of cultural preserves dating back to the Silla Kingdom. Unlike the other parks located in the area, this park is segmented into individual districts. However, admission fee covers entry to the entire park because the districts are segmented for the government administration. Because Gyeongju itself is a historic city with many important historic sites and relics, Gyeongju is divided into 7 districts, and the park is divided accordingly. The Namsan area of Gyeongju is called the Namsan District. This is where many stone Buddhist statues, stone pagodas and about 100 temples sites are found. Here you can find Poseokjeong Pavillion, which was part of the living quarters the king had prepared outside of the palace for feasts. The Namsan District contains many relics spread about the area. You might feel like you took a ride on a time machine to a Buddhist temple of the past. Another district is the Tohamsan Mountain District. Here you will find the most famous tourist sites of Gyeongju, Bulguksa Temple. Bulguksa Temple was built in 535, during the reign of King Beopheung (514~540) of the Silla Kingdom and is located at the edge of Tohamsan Mountain. In front of Daeungjeon, there is Dabo Pagoda (10.4m high) to the east and the 3-story Seokga Pagoda (8.2m) to the west. These two pagodas are known as the most artistically constructed Korean stone pagodas, domestically and internationally. On the east side of Tohamsan Mountain is Seokguram, which is called the principal Korean Buddhist statuary. Within the Daebon District, a district of Gyeongju National Park, is King Munmu’s Sujungreung. Nearby the King Munmu’s Sujungreung Tomb there is the Gameunsaji 3-Story Stone Pagoda, which was built to honor King Munmu. In downtown Gyeongju there is a palace built on a half-moon shaped hill called Banwolseong and there is also the oldest stone relic in the east, called Cheomseongdae Observatory (9.2m high). Cheomseongdae Observatory was built and used as an astronomical observatory during the reign of Queen Seon-Deok (reigned 632~647). Between Cheomseongdae and Wolseong is the Gyerim Forest, where Kim Al-Ji (65~?), the progenitor of the Kim family, was born. The name Gyerim was also once used as the country name of Silla. Half a kilometer west of Cheomseongdae is Hwangnamdong where Jeonmachong is located. Anapji Pond, which was built to serve noble guests and where feasts were held, is also located in downtown Gyeongju. Gyeongju National Museum is located in Inwang-dong, Gyeongju, where the relics from 1,000 years of the Silla Kingdom are preserved.

Alpensia Ski Resort has six slopes for skiers and snowboarders to enjoy. Runs as long as 1.4km provide a dynamic experience for both beginners and experienced skiers and snowboarders. There is also an area exclusively for advanaced snowboarders to practice their skills. Alpensia is not just for winter revellers: the year-round resort transforms the lower, Apron Area, of the mountain into a 100,000㎡ wild flower garden during summer months.

Paik Nam-june explained: ‘Marcel Duchamp achieved everything in every field except for video art. He created a large entrance and an extremely small exit. The small exit is video art. When we take the exit, we are out of the scope of influence of Marcel Duchamp.’ The NJP Art Center is a creative space, wherein it is possible to practice the ‘mediation of endless potential unfolded outside the exit of Duchamp’. As a space of ‘introspective anarchy of infinite light and life’, the NJP Art Center aims to become a venue for the ‘escape from enlightenment’, going beyond enlightenment. Paik Nam-june, who was well versed in aesthetics and music, rather than the figurative arts, discovered a new ‘exit’ by combining electronic music and happenings. He didn’t regard video and television, with their great disseminative power, or communication networks, as a means for communicating messages, but as an explosion of time, instead creating a space for mandala-based televisuals, and for participation by the public where ‘consilience’ among heterogeneous fields can take place.Inheriting the spiritual legacies of Paik Nam-june, the NJP Art Center will expand the possibilities of creating new media for information and communication in the information age, and create a new space for cultural participation from aesthetic, ethical, and political perspectives. The center aims at expanding effective, creative consumption by encouraging reflections on the aspects of human existence that are still involuntary and lack freedom. The center aspires to become a space for cultural mediation that expands the space of freedom’s activities throughout the globe.