Gyeonggi-do(Yongin-si) , Yongin

Yongin Agricultural Theme Park spans an area of 120,000㎡ to offer a special venue for people living in the city to experience the farming life and a pleasant refreshing area for family groups alike to help them raise the quality and conditions of life.It is comprised of wild flower gardens, a crop educational center, garden of flowers and winds, a flowering tree garden, acupressure path, nut pine path, and herb gardens that give nostalgia of the faming ambience. Also, a two-story building of farming culture exhibition hall is available with an area of 1,426㎡ that showcases the farming industry of past, present and future. Visitors can try their hand at using old farming machines at the permanent hands-on program site as well as visit the insect exhibition hall and zoo.


Gyeonggi-do(Yangpyeong-gun) , Yangpyeong


Gyeonggi-do(Ansan-si)

The Ansan Culture & Arts Center officially opened on October 2, 2004, following its success at the Ansan Yeormio Festival and Harmony Festival. The center boasts state-of-the-art stage facilities capable of holding any type of production orchestrated by Korean and international theater directors.


Gyeonggi-do(Yongin-si) , Yongin

Yongin Hobak Dungbul (Pumpkin & Lamp) Village is located in Angol Village, Neungwon3-ri, Mohyeon-myeon, Cheoin-gu, Yongin-si, Gyeonggi-do. This traditional themed farming village is not only home to a variety of beautiful country cottages, but also offers a host of experience programs that fall under the themes of pumpkin, lamp, and fire (charcoal kiln).Those interested in farming can harvest 40 different kinds of pumpkins and other local produce such as balloon flower roots, potatoes, yams, Chinese cabbages, radishes, and Japanese apricots. More interested in the food after it’s brought in from the field? Try your hand at making diverse pumpkin diverse (pumpkin soup, pumpkin cake, etc.). One of the most popular farm programs is the pumpkin chocolate-making, a fun experience for visitors of all ages.Nearby attractions and heritage sites include the grave of Poeun Jeong Mong Ju, the last loyal subject of the Goryeo Period, the Korean Deung-Jan Museum, Everland, and the Korean Folk Village.


Gyeonggi-do(Paju-si) , Paju(Heyri Art valley)

Jangneung (장릉) is located in Paju, Gyeonggi-do province. For preservation reasons, this royal tomb is not open to the general public. This is the mausoleum of King Injo (1595-1649, reign 1623-1649), the 16th ruler of the Joseon Dynasty, and Queen Illyeol.King Injo took the throne in 1623 after having overthrown the previous king, Gwanghaegun, in a military revolt. During his reign, King Injo faced challenges from two foreign invasions in 1627 (Jeongmyohoran, 정묘호란) and 1637 (Byeongjahoran, 병자호란). He died in 1649 in Changdeokgung Palace. 


Gyeonggi-do(Gapyeong-gun) , Namyangju


Gyeonggi-do(Yongin-si) , Yongin


Gyeonggi-do(Yangpyeong-gun) , Yangpyeong


Gyeonggi-do(Icheon-si) , Icheon


Gyeonggi-do(Yongin-si) , Yongin

Paik Nam-june explained: ‘Marcel Duchamp achieved everything in every field except for video art. He created a large entrance and an extremely small exit. The small exit is video art. When we take the exit, we are out of the scope of influence of Marcel Duchamp.’ The NJP Art Center is a creative space, wherein it is possible to practice the ‘mediation of endless potential unfolded outside the exit of Duchamp’. As a space of ‘introspective anarchy of infinite light and life’, the NJP Art Center aims to become a venue for the ‘escape from enlightenment’, going beyond enlightenment. Paik Nam-june, who was well versed in aesthetics and music, rather than the figurative arts, discovered a new ‘exit’ by combining electronic music and happenings. He didn’t regard video and television, with their great disseminative power, or communication networks, as a means for communicating messages, but as an explosion of time, instead creating a space for mandala-based televisuals, and for participation by the public where ‘consilience’ among heterogeneous fields can take place.Inheriting the spiritual legacies of Paik Nam-june, the NJP Art Center will expand the possibilities of creating new media for information and communication in the information age, and create a new space for cultural participation from aesthetic, ethical, and political perspectives. The center aims at expanding effective, creative consumption by encouraging reflections on the aspects of human existence that are still involuntary and lack freedom. The center aspires to become a space for cultural mediation that expands the space of freedom’s activities throughout the globe.