Gyeonggi-do(Yeoncheon-gun)

The Yeoncheon Jeongok-ri Paleolithic Festival takes place in Jeongok-ri in Yeoncheon region, where relics of the Paleolithic era still exist. This festival is the first Paleolithic cultural event in Korea, and provides a great opportunity for international visitors to discover Korea’s prehistoric cultures. Moreover, this festival will be a great event for families, since children can learn about paleolithic cultures, farming village lifestyles, and take part in traditional cultural programs.


Gyeonggi-do(Yangpyeong-gun) , Yangpyeong


Gyeonggi-do(Gapyeong-gun) , Namyangju

Held at the Garden of Morning Calm, the Lighting Festival is the biggest festival of lights in Korea, covering 100 thousand pyeong illuminated by 30,000 lights. The gleaming lights add a festive glow to the garden during the winter season. The main gardens are Hakyung Garden, Hometown House Garden, Bonsai Garden, Moonlight Garden, Sky Path and Garden of Eden, with colorful lights adorning the trees. In the event of inclement weather, lights may be turned off for safety.


Gyeonggi-do(Icheon-si) , Icheon


Gyeonggi-do(Yongin-si) , Yongin

Paik Nam-june explained: ‘Marcel Duchamp achieved everything in every field except for video art. He created a large entrance and an extremely small exit. The small exit is video art. When we take the exit, we are out of the scope of influence of Marcel Duchamp.’ The NJP Art Center is a creative space, wherein it is possible to practice the ‘mediation of endless potential unfolded outside the exit of Duchamp’. As a space of ‘introspective anarchy of infinite light and life’, the NJP Art Center aims to become a venue for the ‘escape from enlightenment’, going beyond enlightenment. Paik Nam-june, who was well versed in aesthetics and music, rather than the figurative arts, discovered a new ‘exit’ by combining electronic music and happenings. He didn’t regard video and television, with their great disseminative power, or communication networks, as a means for communicating messages, but as an explosion of time, instead creating a space for mandala-based televisuals, and for participation by the public where ‘consilience’ among heterogeneous fields can take place.Inheriting the spiritual legacies of Paik Nam-june, the NJP Art Center will expand the possibilities of creating new media for information and communication in the information age, and create a new space for cultural participation from aesthetic, ethical, and political perspectives. The center aims at expanding effective, creative consumption by encouraging reflections on the aspects of human existence that are still involuntary and lack freedom. The center aspires to become a space for cultural mediation that expands the space of freedom’s activities throughout the globe.


Gyeonggi-do(Namyangju-si) , Namyangju

Established upon the signing of a friendship pact between the city of Namyangju and the Mongolian capital city of Ulaanbaatar, Mongol Cultural Village is a unique place in Korea where visitors can experience the traditional culture of Mongolia.Inside the exhibition hall, about 800 items from Mongolia including traditional clothes, instrument and household goods are on display. Also, there is a performance hall with 320 seats where visitors can enjoy various cultural arts shows. While residing in the village, the 19 members of the Mongolian cultural arts performance group put on traditional music and dance performances and rope circuses. Performances are held twice on a regular day, and three times a day on national holidays and from July through August.


Gyeonggi-do(Yeoju-si) , Yeoju

Bandal Art Museum, which opened in 2002, displays domestic and foreign ceramic livingware. The Ceramic House is one of the most popular exhibits for visitors with its displays of ceramics set in a re-created living room, bathroom, kitchen, and so forth. Nearby tourist attractions include Silleuksa Temple, the Tomb of King Sejong and more.


Gyeonggi-do() , Icheon

The Gyeonggi International CeraMIX Biennale first started in 2001 and has continued to contribute to the field of ceramics by showcasing hidden talents and allowing artists to experiment with their art. In a further attempt to push the boundaries of ceramic art, the festival in 2011 encouraged artists to expand their art by using elements from other art genres.This 2015 festival’s theme will be called “Color: Ceramic Spectrum,” and it will demonstrate the creative aspect of ceramic arts. Generally, the word ‘color’ carries a physical and optical connotation, but this festival intends to expand the term’s meaning into a more idiomatic definition that encompasses the concepts of classifying objects and defining identity. Thus, the meaning of ‘color’ is portrayed by the artists’ own expression and artistic attitude at the festival. This festival divides color into three categories: “Isaek” (이색; distinctive color), which focuses on new trends and possibilities of ceramic art; “Chaesaek” (채색; multicolored), which shows modern ceramic art through a combination of other genres; and “Bonsaek” (본색; traditional color), which reflects the traditional factors of the three East Asian countries, connecting the past, present, and future of ceramics.※ The festival is held every second year.