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Hanwha Resort Suanbo
Chungcheongbuk-do(Chungju-si)

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Moontan Road (문탠로드)
Busan(Haeundae-gu)

Located on the Dalmaji-gil Road, Moontan Road is a walking trail with a meaning of easy stroll under the moonlight. With five different walking course, it take approx. 1 to 2 hours. Visitors can enjoy subsidity facilities including observatory, sports park, Dalmaji Eoul Madang, Haewoljeong Pavillion and more.

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The 2nd Tunnel (Cheorwon)
Gangwon-do(Cheorwon-gun)

The 2nd Tunnel, which was made by North Koreans to invade South Korea, was discovered on March 24th, 1975. This tunnel is 3.5km long and sits 50~160 meters below the surface. It can accommodate up to thirty thousand people and is large enough for tanks to pass through. Now the 2nd Tunnel is under the control of the Cheorwon-gun Office. Every year hundreds of thousands of people visit this unique tourist destination.

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Gangwon 4 Lakes Mulle-Gil Festival
Gangwon-do(Chuncheon-si)

Mulle-gil Festival is set to take place around the Uiamho Lake area and Songam-dong Sports Town in Chuncheon, the lakeside city of Gangwon Province. This year’s festival is divided into several categories including the Experience Zone, Camping Zone, Exhibition Zone, and Performance Zone. At the Performance Zone you may enjoy a wide variety of concerts and performing arts while the Mulle-gil Experience Zone features not only the canoe experience program, but also a variety of fun canoe contests like a Canoe Marathon, Family Slalom Contest (a hurdle dodging race), the 1-Person Freestyle Competition, and Family Luggage-carrying Race.

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Jincheon Bell Museum
Chungcheongbuk-do(Jincheon-gun)

The Jincheon Bell Museum (진천종박물관) was opened in September 2005 with the objective of promoting the unique artistic value of Korean bells. The museum’s Jincheon location itself is also very meaningful, as it is the oldest steel production site in Korea. In the nearby area, Uncheon-dong, Beomjong (a temple bell) of late Tongilsilla Kingdom (the United Silla Kingdom) was discovered along with the remains of the Ongdusaji Cheoldanggan of the Goryeo Dynasty. Since a bell museum focuses especially on the culture of temple bells, which are a culmination of metal craftwork, it seems inevitable that the museum is located in Jincheon where the biggest steel mill was located in ancient times. 

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Sambong Beach
Chungcheongnam-do(Taean-gun)

Sambong Beach is located to the south of the bridge that connects Nammyeong and Anmyeon-eup. The beach stretches 3 km long and has a x_width of 120m. The beach gently slopes down at a 2° angle and has an average water depth of 1.5m and temperature of 22°C. The beach is easily accessible to many visitors because of the convenient transportation during the summer. The three Sambong Rocks, the Haedanghwa flower (plena) and the rich pine forests are just a few of the beautiful and magnificent features of this beach. The name Sambong, is derived from the three rocks, however four rocks can be seen from the north facing southward while only three are visible from the south. The sand dune created by natural phenomena is a must see here. 

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Sulwha Cultural Exhibition - once upon a time: tale of crape myrtle
Seoul(Gangnam-gu)

Sulwha Cultural Exhibition offers a venue to remind visitors of the actual value of traditional artcrafts and communicate with modern art in a way that helps to combine and develop the traditional with modern. This exhibition aims to provide the opportunity to share the meaning and value of balance and harmony, a philosophy of Sulwhasu, that always exist but may be difficult to recognize in daily life, such as inside and outside, subjects within their environments, and traditions and modernism.

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Gyeongju Namsan Mountain
Gyeongsangbuk-do(Gyeongju-si)

Namsan Mountain in Gyeongju is home to many temples and shrines, and was considered sacred by many during the Silla Kingdom. This mountain boasts nearly 40 valleys winding down from Geumobong Peak (468 m in elevation), Gowibong Peak (494 m in elevation), and other surrounding peaks. Also, this 4 km-wide and 8km-long oval-shaped mountain runs almost perfectly north to south. Namsan Mountain is a veritable open-air museum, with 100 temples, 80 stone Buddha statues, and 60 stone pagodas scattered across the mountainside. Topographically, it features nearly 40 valleys and is divided into the Southwest Mountain, a sacred place during the Silla period, and the Southeast Mountain, where many Buddhas can be found around the valleys. Najeong Well, at the western foot of Namsan Mountain, is the mythic birthplace of King Park Hyeokgeose, founder of the Silla Kingdom. The local Yangsanjae Shrine was built in honor of its founder who lived in Seorabeol before the Silla Kingdom was established. Poseokjeong Pavilion is the place where the glorious era of the Silla Kingdom came to an end. In the Southeast Mountain region, one can encounter the Seated Buddha of Borisa Temple, a 9-meter Bulmusa Stone Buddha Statue, and a Seated Stone Buddha at Gamsil Shrine. Namsan Mountain also features 12 treasures, including Mireukgol Seated Stone Buddha, a three-storey stone pagoda in Yongsangsa Temple, the Maae Stone Buddha in Chilbulam Temple, and others. There are also twelve historic sites, such as the site of Poseokjeong Pavilion, Najeong Well, and Samneung Royal Tombs, as well as nine local tangible cultural properties (Maaegwaneumbosalsang Buddha in Samneunggol Valley, Ipgolseokbul Buddha, Yaksugol Maaeipsang Buddha, and others), and one important piece of folklore material. Namsan Mountain is also famous for its scenic landscapes in addition to its cultural heritage. Numerous valleys, unique rock formations, and beautiful trails are abundant throughout the area. Many tourists say, “You cannot say that you know Gyeongju without hiking up Namsan Mountain.” Namsan Mountaint is a place where the scenic nature and long history of the Silla Kingdom coexist, and also where the aesthetic consciousness and religious traditions of the Silla people evolved into the artform it is today.

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Hotel Sinbuk Hot Springs - Goodstay
Gyeonggi-do(Pocheon-si) , Pocheon

Hotel Sinbuk Hot Springs is located near Pocheon’s Yeoldugaeul Valley, which is famous for its beautiful landscape and for being the only sodium bicarbonate hot spring in the capital area. Due to its proximity to Seoul, it is ideal for guests from Seoul or the metropolitan area. Guests can take a break from their tiring daily routine and de-stress in any of the hot spring or rides like the water slide, the wave pool, the Lazy River, in/outdoor baths, the dry/steam sauna, the red clay room and the ice room at the resort next to the hotel.

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Gwangju Biennale
Gwangju(Buk-gu)

Gwangju Biennale is an international contemporary art exhibition that takes place once every two years. Taking place in 2014, the event marks 10th anniversay and will celebrate the importance of being together though the theme of “Burning Down the House (터전을 불태우라).” It will bring together many different people, different times, various roles in arts production, and numerous different positions toward power such as exist  in various social, political, and cultural situations. The biennale consists of an exhibition, several workshops, e-journals, books, and various programs such as residency programs and new commissions. [About the 2014's theme] Burning Down the Houseexplores the process of burning and transformation, a cycle of obliteration and renewal witnessed throughout history. Evident in aesthetics, historical events, and an increasingly rapid course of redundancy and renewal in commercial culture, the Biennale reflects on this process of, often violent, events of destruction or self-destruction―burning the home one occupies―followed by the promise of the new and the hope for change. In the 1930s the critic Walter Benjamin coined the term ‘Tigersprung’ (the tiger’s leap) for a new model of history where the past is activated in and through the present within a culture industry that demands constant renewal. What can the ‘Tigerspung’ mean for today’s ‘tiger economies’ like South Korea in a context where economic and political powers deliver the eternally new of fashionable commodities and industrial progress at the apparent expense of a cultural past? Burning Down the House looks at the spiral of rejection and revitalization that this process implies. The theme highlights the capacity of art to critique the establishment through an exploration that includes the visual, sound, movement and dramatic performance. At the same time, it recognises the possibility and impossibility within art to deal directly and concretely with politics. The energy, the materiality and processes of burning ― the manner in which material is changed and destroyed by flames into the residue of dramatic interventions or remnants of celebrations ― have long informed artistic practice. The transformative powers of fire are central to the way in which this exhibition has been imagined. -Courtesy of Gwangju Biennale Foundation  

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